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Kremer Titanweiss Rutil (46200)
Kremer Titanweiss Rutil (46200)
Titanweiß Rutil, reinst weiß, höchst deckend Umweltschonend mit dem Chlorid-Verfahren ohne Dünnsäure hergestellt.   ColorIndex PW 6.77891 Deckeigenschaft deckend / opak Eignung Acryl, Kalk / Fresko, Keramik, Öl, Tempera, Wasserfarben / Gouache, Wasserglas, Zement / Tadelakt Farben Weiß Formen kristallin Lichtechtheit: Mittel: 8 (1 ist schlecht, 8 am besten) Lichtechtheit: Verdünnt: 8 (1 ist schlecht, 8 am besten) Lichtechtheit: Vollton: 8 (1 ist schlecht, 8 am besten) Loeslichkeit unlöslich Siedepunkt 3000°C Chemische Formel: TiO2

Content: 0.1 Kilogramm (€58.90* / 1 Kilogramm)

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Kremer Chalk from Champagne (58000)
Kremer Chalk from Champagne (58000)
Chalk from Champagne from France, natural calcium carbonate   Chemical description Natural calcium carbonate (CaCO3) ColorIndex PW 18.77220 Suitability Acrylics, Lime / Fresco, Oil, Tempera, Watercolor / Gouache Color White Form powder Solubility in water 0.014 g/l (20°C); 0.018 g/l (75°C)

From €4.79*
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Kremer Lithopone (46100)
Kremer Lithopone (46100)
Lithopone Order number: 46100 silver-seal, 60 % zinc sulfide   Chemical description Artificial mineral pigment, co-precipitate of zinc sulphide and barium sulphate, Pigment White 5, C.I. 77115 ColorIndex PW 5.77115 Opacity semi-opaque Suitability Acrylics, Oil, Tempera, Watercolor / Gouache Color White Form powder Lightfastness medium 8 (1 is poor, 8 is best) Lightfastness thinned 8 (1 is poor, 8 is best) Lightfastness concentrated 8 (1 is poor, 8 is best) Solubility in water insoluble Chemical Formula BaSO4 + ZnS

Content: 0.1 Kilogramm (€45.90* / 1 Kilogramm)

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Kremer Ivory Black JU (47200)
Kremer Ivory Black JU (47200)
Ivory Black JU bone black, improved quality Based on bone black but with very high tinting strength. Usually the best qualities of bone blacks are called Ivory Black.   Chemical description C.I. Pigment Black 9; CAS No. 8021-99-6, EINECS No. 232-421-2 ColorIndex PBk 9.77267 Suitability Acrylics, Lime / Fresco, Oil, Tempera, Watercolor / Gouache Color Black Form powder Lightfastness medium 8 (1 is poor, 8 is best) Lightfastness thinned 8 (1 is poor, 8 is best) Lightfastness concentrated 8 (1 is poor, 8 is best) Solubility in water insoluble

Content: 0.1 Kilogramm (€53.90* / 1 Kilogramm)

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Kremer Marble Dust, extra white (58500)
Kremer Marble Dust, extra white (58500)
Marble Dust, extra white Order number: 58500 Italian, 0 - 32 µ, calcium carbonate Recommended as filler or for gesso.   Chemical description Natural calcium carbonate (CaCO3, CAS No. 1317-65-3, EINECS 215-279-3): 85 - 100 % ColorIndex PW 18.77220 Suitability Acrylics, Lime / Fresco, Oil, Tempera, Watercolor / Gouache Color White Form powder Solubility in water < 0.03 % (20°C)

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Kremer Zinkweiß (46300)
Kremer Zinkweiß (46300)
Zinkweiß bleifrei Im Gegensatz zum Kremserweiß stellt Zinkweiß ein reines weißes Pulver dar. Chemisch handelt es sich um Zinkoxid (ZnO), bleifrei.   Chemische Beschreibung: Reines Zinkoxid ColorIndex PW 4.77947 Deckeigenschaft halbopak Eignung Acryl, Kalk / Fresko, Keramik, Öl, Tempera, Wasserfarben / Gouache, Zement / Tadelakt Farben Weiß Formen Pulver Lichtechtheit: Mittel: 8 (1 ist schlecht, 8 am besten) Lichtechtheit: Verdünnt: 8 (1 ist schlecht, 8 am besten) Lichtechtheit: Vollton: 8 (1 ist schlecht, 8 am besten) Loeslichkeit 0,0016 g/l Chemische Formel: ZnO   Verarbeitungs- und Warnhinweise Nur für den berufsmäßigen Verwender! Sicherheitsinformationen GHS09-1: Umwelt Signalwort: Achtung Gefahrenhinweis(e) H410: Sehr giftig für Wasserorganismen mit langfristiger Wirkung. Sicherheitshinweis(e) P273: Freisetzung in die Umwelt vermeiden. P391: Verschüttete Mengen aufnehmen. P501: Entsorgung des Inhalts/Behälters gemäß den örtlichen, regionalen, nationalen u. internat. Vorschriften.  

Content: 0.1 Kilogramm (€66.60* / 1 Kilogramm)

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Environment: Hazardous to the environment
Hazard Statements
H410: Very toxic to aquatic life with long lasting effects.
Precautionary statements
P273: Avoid release to the environment.
P391: Collect spillage.
P501: Dispose of contents/container to .
Kremer Pigments Recipe Book (990226)
Kremer Pigments Recipe Book (990226)
37 recipes with pictures, Aichstetten 2018, ISBN 978-3-00-060902-2Create your personal colour experience! With our recipes, we give you a guide to make your own paint according to your individual needs. Dive into the world of watercolour, egg tempera, wall paint, oil paint, acrylic paint and other pigment applications.

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Kremer Marble Dust, extra (58520)
Kremer Marble Dust, extra (58520)
Marble Dust, extra Italian, fine grind, < 32 µ   Chemical description Natural calcium carbonate (CaCO3, CAS No. 1317-65-3, EINECS 215-279-3): 85 - 100 % ColorIndex PW 18.77220 Suitability Acrylics, Lime / Fresco, Oil, Tempera, Watercolor / Gouache Color White Form powder Solubility in water < 0.03 % (20°C)

From €5.30*
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Kremer Chalk from Ruegen (58010)
Kremer Chalk from Ruegen (58010)
Chalk from Ruegen Order number: 58010 from Germany, approx. 40 µ   ColorIndex PW 18.77220 Suitability Acrylics, Lime / Fresco, Oil, Tempera, Watercolor / Gouache Color White

From €4.29*
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Kremer Chrome Oxide Green (44200)
Kremer Chrome Oxide Green (44200)
Chrome Oxide Green Order number: 44200 cool green, opaque   Chemical description Chromium(III)-oxide, C.I. Pigment Green 17.77288 ColorIndex PG 17.77288 Opacity opaque Suitability Acrylics, Lime / Fresco, Ceramic, Oil, Tempera, Watercolor / Gouache, Silicate binder, Waterglas, Cement / Tadelakt Color Green Form powder Lightfastness medium 8 (1 is poor, 8 is best) Lightfastness thinned 8 (1 is poor, 8 is best) Lightfastness concentrated 8 (1 is poor, 8 is best) Solubility in water insoluble Boiling point 4000°C (1013 hPa)

Content: 0.1 Kilogramm (€55.90* / 1 Kilogramm)

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Kremer Ultramarine Blue Pigments
Kremer Ultramarine Blue Pigments
Ultramarineblue Until the beginning of the 19th century, Ultramarine Blue was a prized luxury product due to its extensive production process from the semi-precious stone lapis lazuli and obtained according to old recipes. Even today, the natural pigment ultramarine (azzurum ultramarinum = blue from across the seas) is as precious as gold. Ultramarine is famous for its characteristic bright, deep blue color. From a physical point of view, ultramarine blue is positioned at the far short-wave end of the color spectrum, leaning towards the violet side of blue. The closer the color gets to the end of the visible spectrum, the darker it seems. Reproductions in books and photographs usually fail to convey the appearance and quality of ultramarine blue. Information: synthetic mineral pigment   Chemical description Sodium-aluminium-sulfo-silicate. Pigment Blue 29, C.I. 77007. CAS: 57455-37-5 (101357-30-6), EINECS (EU): 309-928-3, TSCA (USA): uses CAS 57455-37-5; REACH Reg. No. 01-2119488928-13-0002 ColorIndex PB 29.77007 Suitability Acrylics, Lime / Fresco, Oil, Tempera, Watercolor / Gouache Color Blue Form powder Lightfastness medium 8 (1 is poor, 8 is best) Lightfastness thinned 8 (1 is poor, 8 is best) Lightfastness concentrated 8 (1 is poor, 8 is best) Solubility in water insoluble Handling and Warnings Keep away from acids.     For more informations please visit the Kremer Website. Also, if you're missing a Kremer-pigment that you want, we can order it for you. Just use our contact-formular!  

Content: 0.1 Kilogramm (€56.00* / 1 Kilogramm)

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Kremer Pigmente KOBALT
Kremer Pigmente KOBALT
Product information "Kremer Pigments COBALT" Cobalt Pigments Cobalt pigments are an indispensable part of painting. The blue and green tones are the most well-known, but there are also violet and even yellow variants. Real cobalt blue is a translucent universal pigment with proverbial lightfastness and is ideal for all techniques. Cobalt blue is one of the few artist pigments that is also used in ceramic techniques, just think of blue porcelain or blue wall tiles! Variants: Cobalt yellow (43500) Cobalt green (44101) Cobalt green-blue oxide (44110) Cobalt bottle green (44130) Cobalt green, bluish A (44151) Cobalt blue, dark (45700) Cobalt blue, dark, greenish (45701) Cobalt blue Sapporo (45702) Cobalt blue, medium (45710) Cobalt blue, matt blue (457141) Cobalt blue, light (45720) Cobalt cerulean blue (45730) Cobalt blue, greenish (45740) Cobalt blue, light turquoise (45750) Cobalt blue, dark turquoise (45760) Cobalt violet, dark (45800) Cobalt violet brilliant, dark (45810)Further information on mixing: Due to its nature, it is extremely laborious to grind cobalt blue into oil. First of all, you should definitely choose an oil with the lowest possible viscosity, such as poppy seed oil or sunflower oil, rather than the more viscous linseed oil. The longer drying time inherent in these oils is compensated for by the catalytic properties of the cobalt, and these oils hardly yellow at all, which would be very beneficial for a shade of blue like this. First of all, you should mix the pigment thoroughly with the oil using a spatula. Experience shows that you add too much oil at the beginning, so that further pigment additions are essential. After intensive kneading, you finally get a putty-like, deep blue substance. You work small (!) portions of this through bit by bit with the glass runner, which is quite hard work. If you are unlucky, you get a thin, honey-like substance and you have to work in more pigment. It is very helpful to add a little beeswax paste to turpentine oil 1:1 to stabilize the consistency! If that is too laborious for you, we recommend the very similar shade of cobalt medium opaque. Glazes are not possible with this, however, and are not quite as beautiful as with real cobalt aluminate. In water-based techniques, on the other hand, producing cobalt blue paint is quite simple: all you need is a spatula. For safety data sheets and specific information on individual pigments, please visit the Kremer website. There you will also find important details such as safety instructions, suitability, lightfastness and solubility.

Content: 0.05 Kilogramm (€314.00* / 1 Kilogramm)

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CLP-/REACH-Notice
Symbol
Exclamation Mark: Health hazard/Hazardous to the ozone layer
Signalword
Attention!
Hazard Statements
H302: Harmful if swallowed.
H332: Harmful if inhaled.
Precautionary statements
P260: Do not breathe dust/fume/gas/mist/vapours/spray.
Kremer Steel Powder (54650)
Kremer Steel Powder (54650)
Steel Powder Order number: 54650 fine, rusting, gray   Chemical description Iron, CAS 7439-89-6, EINECS 231-096-6: > 97 %. REACH Reg. No. 01-2119462838-24-xxxx Suitability Acrylics, Ceramic Color Gray Form powder Lightfastness medium 8 (1 is poor, 8 is best) Lightfastness thinned 8 (1 is poor, 8 is best) Lightfastness concentrated 8 (1 is poor, 8 is best) Solubility in water insoluble Boiling point 2861°C (1013 hPa)

Content: 0.1 Kilogramm (€47.00* / 1 Kilogramm)

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Kremer Chalk from Bologna (58100)
Kremer Chalk from Bologna (58100)
Chalk from Bologna Order number: 58100 from Italy, Gilder´s Gesso, 30 - 40 µ Natural mixture of calcium sulphate and calcium carbonate.   Suitability Acrylics, Oil, Tempera, Watercolor / Gouache Color White

From €5.09*
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Kremer Tages-Leucht-Farben Pigmente
Kremer Tages-Leucht-Farben Pigmente
Product information "Kremer Day-Luminous Colors Pigments"Kremer Day-Luminous Colors PigmentsIn the late sixties of this century, a group of extremely bright dyes came onto the market that were previously completely unimaginable. These pigments, or rather the colors made from them, seem to glow from within. At the time, they were popularly called "shock colors," but today the nonsensical term "neon colors" is often used. The term "phosphor colors" is also simply wrong because they do not contain any phosphor at all! The correct term, however, is "fluorescent colors." Available variants: Daylight fluorescent color white (56000) Daylight fluorescent color blue (56050) Daylight fluorescent color green (56100) Daylight fluorescent color lemon yellow (56150) Daylight fluorescent color golden orange (56200) Daylight fluorescent color orange (56250) Daylight fluorescent color brick red (56300) Daylight fluorescent color flame red (56350) Daylight fluorescent color cyclam red (56400) Daylight fluorescent color violet (56450) As already mentioned above, these dyes can be stimulated by visible light and invisible UV. This means that short-wave radiation (UV and blue light components) is converted into longer-wave, visible, or more conspicuous light by a group of atoms responsible for the fluorescence within the complex organic dye molecule. This is why these pigments appear to glow particularly intensely at dusk, when the light component is strongly shifted towards blue. An even stronger effect is achieved when exposed to blue light or very short-wave blue light with soft UV, as is found in so-called "black light lamps". This property is often used in discos and party rooms. The short-wave, just barely perceptible light makes all fluorescent materials glow in their own color, while other colors that are brilliant in normal light are only reproduced in corresponding gray tones.The organic dyes are relatively inexpensive and fairly economical, and completely non-toxic. However, they have one serious drawback: they are not very lightfast! However, if these pigments are exposed to less daylight, their durability is certainly acceptable. These luminous paints are not included in ranges of artist paints, but are often found with the additional designation "fluorescent" or "fluorescent" in paint ranges for children, for graphic purposes, in colored pencils and felt-tip pens, especially as so-called highlighters, but also as spray paints for decorating vehicles or for model making. The pigments can be processed into artist paints of the desired quality without any major problems. As with other organic pigments, wetting with alcohol beforehand is recommended for water-based techniques, but this is not necessary when using dispersions. When making oil paint, it is also sufficient to use a spatula, but for reasons of homogeneity and the lowest possible binding agent content, you should rub the paint with a glass runner when making tube paints. The production of varnishes or synthetic resin varnishes is also unproblematic. What is interesting, however, is the fact that daylight fluorescent paints in oil or varnish shift their color tone towards the warmer side, which means that, for example, the cold, bluish cyclamen red shifts a little towards orange, etc. This is because the oil or synthetic resin filters out a large part of the short-wave light components, which also has the advantage that the light resistance can be improved a little. Safety data sheets and further information can be found on the Kremer website.

Content: 0.1 Kilogramm (€139.90* / 1 Kilogramm)

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CLP-/REACH-Notice
Hazard Statements
EUH208: Contains . May produce an allergic reaction.
Precautionary statements
P243: Take action to prevent static discharges.
P261: Avoid breathing dust/fume/gas/mist/vapours/spray.
P262: Do not get in eyes, on skin, or on clothing.
P270: Do not eat, drink or smoke when using this product.
P271: Use only outdoors or in a well-ventilated area.
P273: Avoid release to the environment.
P281: Use personal protective equipment as required.
P285: In case of inadequate ventilation wear respiratory protection.
P391: Collect spillage.
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Kremer Miloriblau LUX (45202)
Kremer Miloriblau LUX (45202)
Product information "Kremer Milori Blue LUX (45202)"Milori Blue LUX Replacement product for 45200 Milori Blue Around 1704, a man named Diesbach in Berlin discovered how to make a beautiful blue color from iron salts and bovine blood waste. Since then, this pigment has been sold under a variety of names, such as Paris Blue, Milori Blue, Prussian Blue or Berlin Blue. The PB 27 pigment is suitable for all applications in pH-neutral binders. It is destroyed in acids or alkalis or at higher temperatures. Like organic pigments, Berlin Blue is also difficult to wet. Chemical description: Inorganic pigment Chemical formula: C18Fe7N18 Lightfastness: Medium: 8 Lightfastness: Diluted: 8 Lightfastness: Full tone: 8 Ignition temp. > 600°C ColorIndex PB 27.77510 Suitability Acrylic, oil, tempera, watercolors / gouache Colors Blue Forms Powder Solubility wettable

Content: 0.1 Kilogramm (€66.60* / 1 Kilogramm)

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CLP-/REACH-Notice
Hazard Statements
EUH032: Contact with acids liberates very toxic gas.
H413: May cause long lasting harmful effects to aquatic life.
Precautionary statements
P273: Avoid release to the environment.
P501: Dispose of contents/container to .
Kremer Kremer White (46360)
Kremer Kremer White (46360)
Kremer White Order number: 46360 pure white, 5 µ, zirconium oxide Kremer White in watery mediums an alternative to Cremnitz or Lead White. It is not quite as bright as Titanium White, stable at temperatures up to 1400° C, suitable for watercolors, in acrylic dispersions, in lime and cement and in oil.   ColorIndex PW 12.77990 Suitability Acrylics, Lime / Fresco, Ceramic, Oil, Tempera, Watercolor / Gouache, Silicate binder, Waterglas, Cement / Tadelakt Color White Form powder Solubility in water insoluble

Content: 0.1 Kilogramm (€59.90* / 1 Kilogramm)

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Kremer Graphite Powder Black (47710)
Kremer Graphite Powder Black (47710)
Graphite Powder Black Order number: 47710 fine   Chemical description Natural graphite, CAS No. 999999-99-4 (natural occuring substance) ColorIndex PBk 10.77265 Suitability Acrylics, Lime / Fresco, Ceramic, Oil, Tempera, Watercolor / Gouache Color Gray, Black Form solid Lightfastness medium 8 (1 is poor, 8 is best) Lightfastness thinned 8 (1 is poor, 8 is best) Lightfastness concentrated 8 (1 is poor, 8 is best) Solubility in water insoluble

Content: 0.1 Kilogramm (€54.00* / 1 Kilogramm)

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Kremer Pigmente ERDEN
Kremer Pigmente ERDEN
Earth colors Minerals and earths are the raw materials from which various earth color pigments have been extracted for thousands of years. The Stone Age people already created cave paintings from materials that were available to them: black from charred wood or charred bones, collected yellow and red earth and white chalk were enough to depict everything that people wanted to show.

Content: 0.1 Kilogramm (€48.00* / 1 Kilogramm)

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Kremer Pigmente EISENOXIDE
Kremer Pigmente EISENOXIDE
Product information "Kremer Pigments IRON OXIDES"Kremer Pigments of the group Iron oxides Kremer article numbers: 48100, 48120, 48250, 48289, 48300, 48340, 48700, 48710, 48750, 48933, 52200, 52350, 52400, 48930, 48020, 48400

Content: 0.1 Kilogramm (€56.00* / 1 Kilogramm)

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Kremer Marble Dust, coarse (58560)
Kremer Marble Dust, coarse (58560)
Marble Dust, coarse Order number: 58560 powder, < 200 µ   Chemical description Natural calcium carbonate (CaCO3, CAS No. 1317-65-3, EINECS 215-279-3): 85 - 100 % ColorIndex PW 18.77220 Suitability Acrylics, Lime / Fresco, Oil, Tempera Color White Form powder Solubility in water < 0.03 % (20°C)

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Kremer Graphite Powder Silver (47700)
Kremer Graphite Powder Silver (47700)
Graphite Powder Silver Order number: 47700 very fine   Chemical description Natural graphite, CAS No. 999999-99-4 (natural occuring substance) ColorIndex PBk 10.77265 Suitability Acrylics, Lime / Fresco, Ceramic, Oil, Tempera, Watercolor / Gouache Color Gray, Black, Silver Form solid Lightfastness medium 8 (1 is poor, 8 is best) Lightfastness thinned 8 (1 is poor, 8 is best) Lightfastness concentrated 8 (1 is poor, 8 is best) Solubility in water insoluble

Content: 0.1 Kilogramm (€56.90* / 1 Kilogramm)

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Kremer Hostaperm Pink, transparent (23401)
Kremer Hostaperm Pink, transparent (23401)
Hostaperm Pink, transparent Order number: 23401 bright Magenta   Chemical description Pigment Red 122, C.I. 73915 ColorIndex PR 122.73915 Opacity transparent Suitability Acrylics, Oil, Tempera, Watercolor / Gouache Color Pink, Red Form powder Lightfastness medium 7-8 (1 is poor, 8 is best) Lightfastness thinned 7 (1 is poor, 8 is best) Lightfastness concentrated 7-8 (1 is poor, 8 is best) Resistance Alkali 5 (1 is poor, 8 is best) Solubility in water insoluble (20°C) Resistance Lime (1 is poor, 8 is best) Resistance Acid 5 (1 is poor, 8 is best)  

Content: 0.02 Kilogramm (€284.50* / 1 Kilogramm)

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Kremer Pastel Green, Victoria Green (44190)
Kremer Pastel Green, Victoria Green (44190)
Pastel Green, Victoria Green Order number: 44190 bright, very lightfast, transparent Chromium based silicate pigment which can easily be worked with in most mediums. The oil absorbtion is low, thin transparent layers are therefore difficult if ground in oil.   ColorIndex PG 51.77300 Suitability Acrylics, Lime / Fresco, Ceramic, Oil, Tempera, Watercolor / Gouache, Silicate binder, Waterglas, Cement / Tadelakt Color Green Form powder Lightfastness medium 8 (1 is poor, 8 is best) Lightfastness thinned 8 (1 is poor, 8 is best) Lightfastness concentrated 8 (1 is poor, 8 is best) Solubility in water insoluble

Content: 0.1 Kilogramm (€101.00* / 1 Kilogramm)

From €10.10*
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CLP-/REACH-Notice
Precautionary statements
P270: Do not eat, drink or smoke when using this product.
P285: In case of inadequate ventilation wear respiratory protection.
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