Characteristic for a panama weave, a variant of the plain weave, is the typical cube or chessboard pattern. This unprimed fabric shows a distinct structure on both sides. It is very tear-resistant and therefore suitable for all formats, especially large ones.
Weight: 370 g / m²
Width: 3.10 m (plus edge)
100 % cotton
Price per running meter
Content:
3.1 Quadrat Meter
(€4.91* / 1 Quadrat Meter)
Lance: “I have been painting since I was a child. My mother is an artist and encouraged me to paint, about which I am still very grateful. Due to my busy life my painting had to take a back seat, but when I was 40 and achieved everything that I had wanted to achieve, I decided to focus completely on painting. I wanted to share my art, my vision, with the world. Just enjoy myself painting When I started I deliberately did not give myself any objectives, apart from working hard, learning a lot and not worrying what others may think. I just want to enjoy myself painting! My uniqueness My uniqueness comes from simply being myself. I use those colours that arise within me and let the palette knife move, following my emotions at the time. I let my thoughts go where they want to. I always say the finished painting is already on that blank canvas, it just uses my hands and eyes to reveal itself to the world. It has its own life!”PDF colour chart
The twill weave is characterised by the diagonal, parallel lines (twill ridge) formed by the juxtaposition of the binding points (crossing points of warp and weft). This fabric shows a clear diagonal twill structure on one side and is rather fine on the other.
Cotton with twill weave is suitable for all formats, especially for large formats.
weight: 380g / m²
width:3.20 m (plus edge)
cotton 100%
price per running meter
Content:
3.2 Quadrat Meter
(€5.04* / 1 Quadrat Meter)
Linen weave is the simplest and certainly the oldest weave: here yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics.
100% linen
primed with transparent glue
weight before priming: 260 g/m²
weight after priming: 430 g/m²
width: 1.50 m (plus edge)
coarse texture
dense fabric
good resistance, suitable for wall painting
Italian quality
price per running meter10m rolls
Content:
1.5 Quadrat Meter
(€16.20* / 1 Quadrat Meter)
profile: 2.0 x 3.5 cm
side length 15 - 160 cm
custom formats possible on request
`sharp edge' possible on request
The K35 has a profile of 2.0 x 3.5 cm. We use seasoned and kiln-dried pine for the stretcher frame. The wood is finger-jointed to prevent the natural tendency of the wood to warp and, thanks to multiple gluing, is almost free of warping- a high-quality handcrafted product at an extraordinarily affordable price.The stretcher frame is available from a side length of 15 to 160 cm. We will be happy to cut the frame to your desired format for an additional charge of 5 euros per bar. Please note that the cross bars must also be cut to size.The stretcher frame has a round edge. If you wish a 'sharp edge', it is possible against a surcharge of 5 euros per bar.In order to obtain a stretcher frame, you need two stretcher bars of the long side, two of the shorter side and optionally a middle piece or cross and wedges.The pine wood wedges necessary for wedging (2 pieces per bar and middle bar) are not included in the price. Please order https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/910/wedges-standard-pine/keys-100pcs?number=10864
If you require an additional bracing, please combine the frame with the cross bars K35: https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/34/keilrahmen-mittelstueck-k35-1-8x3-5cm?number=10034The stretcher frame has a 1-fold slit from a side length of 50 cm.Advice on bracing:Under a side length of 1m no middle bars are needed. If one side length exceeds 1m, one middle bar of the shorter side length is sufficient.If both sides are more than 1m long, you need one bar per side length (a simple cross).
Content:
0.15 Laufende(r) Meter
(€1.07* / 1 Laufende(r) Meter)
weight after priming: 310 g/m²
width: 2.10 m (plus edge)
medium-fine
primed with slightly absorbent universal primer
brown backside
100% cotton
suitable for oil, acrylic, tempera and gouache
price per running meter 10m roll
Content:
2.1 Quadrat Meter
(€6.17* / 1 Quadrat Meter)
Primed cotton, 250g, 2.13m wide Universal primer (three layers) 250 g/m² pure cotton fabric medium rough texture Width: 2.13m 20m roll PCode: CT04160250Due to its weight/volume, this item must be shipped using a dedicated courier service.
Content:
2.13 Quadrat Meter
(€3.77* / 1 Quadrat Meter)
Primed linen, 400g, 2.13m wide Universal primer (three layers) 400g/m² pure linen fabric fine texture Width: 2.13 m (plus border) 20m roll PCode: LN06480400
Content:
2.13 Quadrat Meter
(€15.21* / 1 Quadrat Meter)
The pastose colour line for highest artistic demands Lascaux Artist is a high-quality acrylic paint applicable in art and decoration. This thick artist’s paint is suitable for all painting techniques, and lends itself to both indoor and outdoor use.
Lascaux Artist is a pastose artists' acrylic colour of the highest quality.It comprises 54 carefully balanced hues, rangeing from opaque to transparent depending on the pigment.
Lascaux Artist is particularly luminous, and intense and offering high colour depth and economical, Lascaux Artist shows a smooth and thick consistency very similar to classic oil paints. The carefully balanced assortment allows the mixing of virtually every imaginable shade. All 54 hues provide excellent lightfastness and dry to form an even, semi-matt finish, with minimal shrinkage. The dry film remains flexible and does not crack even when layers are thick. Lascaux Artist is weather-resistant and thus suited for outdoor application. Lascaux Artist is a high-quality acrylic paint applicable
in art and decoration. This thick artist’s paint
is suitable for all painting techniques, and lends
itself to both indoor and outdoor use. Practically
every nuance of colour is able to be attained
with this balanced assortment of 54 hues. The outstanding
colouristic properties of Lascaux Artist
meets the highest of expectations.
Properties
maximum pigmentation
lightfast, age-resistant and non-yellowing
optimally weather-resistant
water-resistant when dry
very good fi lm fl exibility
minimal colour difference between wet and dry
semi-matt fi nish
consistency : smooth and thick
opacity : ranges from transparent to opaque,
depending upon colour tone ( pigmentation )
painting properties: smooth buttery and soft
precision application with brush and palette-knife
adhesion : optimal on practically any fat-free surface
usage : highly concentrated and economical
Application
for art and decoration
for all painting techniques
for indoor and outdoor use
Usage
Lascaux Artist can be applied with any painting tool,
either directly from the container or diluted with water.
The result is a hard elastic colour fi lm that can be
painted over as desired – from delicate glazes to heavy
impastos.
Priming :
We offer products for both rigid and fl exible base
coats ( Lascaux Primers and Modelling Pastes )
dependant upon the desired absorption level and
texture.
Mixing :
With the use of the versatile Lascaux Acrylic painting
agents, the properties of the paints can be adapted to
all techniques, i.e., modifying gloss level, viscosity and
structure. Transparency can be increased by mixing
with impasto gels, whilst maintaining the thickness of
the paint.
Varnishing :
All acrylic works can be permanently protected
and rendered easy to clean with Lascaux Transparent
Varnishes. A special transparent varnish with an
UV-absorber is available for outdoor applications.
Composition
Lascaux Artist consists of lightfast pigments and
selected pure acrylics.
Delivery form
Tubes of 45 ml, bottles of 390 ml and 750 ml.
Tubes of 200 ml are available in 18 selected hues,
see next page.
Buckets of 5 litres (Titanium white and Tint white ).
profile: 2.0 x 6.5 cm
side length 25 - 400 cm
custom formats upon request
´sharp edge´ upon request
from 2 m 2-fold slit
only available on order, e.g. by e-mail
The K 2065 has a profile of 2.0 x 6.5 cm. We use seasoned and kiln-dried pine for the stretcher frame. The wood is finger-jointed to prevent the natural tendency of the wood to warp and, thanks to multiple gluing, is almost free of warping- a high-quality handcrafted product at an extraordinarily affordable price.The stretcher frame is available from a side length of 25 to 400 cm. We will be happy to cut the frame to your desired format for an additional charge of 5 euros per bar. Please note that the cross bars must also be cut to size.The stretcher frame has a round edge. If you wish a 'sharp edge', it is possible against a surcharge.In order to obtain a stretcher frame, you need two stretcher bars of the long side, two of the shorter side and optionally a middle piece or cross and wedges.The hard wood wedges necessary for wedging (2 pieces per bar and middle bar) are not included in the price. Please order for the stretcher bars and the cross braces https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/991/wedges-big-beech/keys-50pcs.?number=10939
If you require an additional bracing, please combine the frame with the cross bars K2065: https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/2342/stretcher-bar-k60?number=12239
The stretcher frame has a 1-fold slit from a side length of 50 cm up to a side length of 195 cm and a 2-fold slit from a side length of 200 cm.Advice on bracing:Under a side length of 1m no middle bars are needed. If one side length exceeds 1m, one middle bar of the shorter side length is sufficient.If both sides are more than 1m long, you need one bar per side length (a simple cross). If one side is more than 2m long, you need two middle pieces of the shorter side and one of the long side (single double cross). If both sides are more than 2m long, the stretcher bars are each double slotted, so you need two middle bars per side length (double double cross). Please select the appropriate number of middle bars.
Content:
0.25 Laufende(r) Meter
(€3.64* / 1 Laufende(r) Meter)
PRODUCT AVAILABLE ONLY ON A SPECIAL ORDER.MINIMUM AMOUNT 20m.ORDERS PLEASE SUBMIT BY E-MAIL.
hand-primed
weight before priming: 340 g/m²
width: 1.60 m (plus edge)
medium-fine
very good quality
double primed with slightly absorbent universal primer
light back
100 % cotton
suitable for oil, acrylic, tempera and gouache
price per running meter 10m
Content:
1.6 Quadrat Meter
(€8.10* / 1 Quadrat Meter)
Linen weave is the simplest and certainly the oldest weave: here yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics.
100% linen
primed with transparent glue
weight before priming: 250 g/m²
weight after priming: 330 g/m²
width: 1.95 m (plus edge)
medium- fine texture
dense fabric
universal grain size, suitable for any painting
Italian quality
price per running meter10m roll
Content:
1.95 Quadrat Meter
(€16.25* / 1 Quadrat Meter)
primed linen, 490g, 2.13 m wide, Universal primer (three layers) 490 g/m² fine texture pure linen fabric Width: 2.13 m (plus border) 10m roll PCode: LN08300490Due to its weight/volume, this item must be shipped using a dedicated courier service.
Content:
2.13 Quadrat Meter
(€18.60* / 1 Quadrat Meter)
Die runden Lascaux Künstlerpinsel sind in 16 verschiedenen Grössen erhältlich. Sie haben mattschwarze, 30 cm lange Naturholzstiele mit rostfreien Nickelzwingen und bestehen aus hochwertigem, dunkelbraunem Interlon-Fasergemisch mit hervorragender Sprungkraft, Formbeständigkeit und Abriebfestigkeit.
Die flachen Lascaux Künstlerpinsel sind in 16 verschiedenen Grössen erhältlich. Sie haben mattschwarze, 30 cm lange Naturholzstiele mit rostfreien Nickelzwingen und bestehen aus hochwertigem, dunkelbraunem Interlon-Fasergemisch mit hervorragender Sprungkraft, Formbeständigkeit und Abriebfestigkeit.
Linen weave is the simplest and certainly the oldest weave: here yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics.
For an double oil-primed canvas, a zinc white primer based on linseed oil is applied first. The canvas is air-dried and sanded, followed by a layer of linseed oil-based titanium white.
100% linen
Tripple oil primed
weight: 355 g/m²
width: 2.10 m (plus edge)
very fine texture
Belgian quality
price per running meter
10m roll
Content:
2.1 Quadrat Meter
(€42.17* / 1 Quadrat Meter)
Die Lascaux Künstlerpinsel in Katzenzungen-Façon sind in 16 verschiedenen Grössen erhältlich. Sie haben mattschwarze, 30 cm lange Naturholzstiele mit rostfreien Nickelzwingen und bestehen aus hochwertigem, dunkelbraunem Interlon-Fasergemisch mit hervorragender Sprungkraft, Formbeständigkeit und Abriebfestigkeit.
PREMIUM QUALITY CANVAS
A canvas that can capture every brush stroke is perhaps the most valued by any artist. These artist grade canvases are an apt choise for the discerning professional. Made from 100 % cotton and triple primed with acrylic gesso with acid free sizing, you will delight in the subtle detail that will make your creations stand out. Stretched and back stapled over a heavy-duty kiln dried pine wood section, these canvases retain their original form for years and have been certified to be conforming to ASTM D-4236
100 % cotton - 350g/m²
triple primed with acrylic titanium gesso
acid free sizing
kiln dried stretcher bar
high density pine wood
easy for re-stretching
back stapled
suitable for oil & acrylic painting
Profil 19 x 38 mm
Bögen Farbe:
satiniert
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Papierarten:
Traditional White
The Fabriano Artistico paper is mould made with 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even it scratched. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.
New Masters® Classic Acrylfarben aus Old Holland
Im Jahr 1998 begannen die Chemiker von Old Holland mit der ersten Forschungsarbeit zu einer Reihe klassischer Acrylfarben
Farben und Medien. Es war ein lang gehegter Traum des verstorbenen Besitzers von Old Holland, Professor
Theo de Beer, um eine Acrylfarbe zu schaffen, die es verdient, den Markennamen „Old Holland“ (oder „Old Holland“) zu tragen
„Scheveningen“-Farben, wie sie in Europa aufgrund der Stadt, in der sie vorkommen, immer noch genannt werden
wurden ursprünglich hergestellt) und er persönlich nannte das Projekt nach seinem Gefühl „New Masters“.
dass es so sein sollte, so wie Old-Holland-Öle in den Werken vieler alter Meister verwendet wurden
Daraus lässt sich schließen, dass die altholländischen Acrylfarben heute von den neuen Meistern der Kunst verwendet würden. „
Die Hauptkriterien wurden wie folgt festgelegt.
1. Das Sortiment sollte die bestehenden Öl- und Aquarellsortimente ergänzen und einzigartig sein
Mischung der besten traditionellen Farben, die das Erbe des alten Hollands widerspiegeln
bis 1664, aber auch mit den feinsten Pigmenten, die aus neuen Technologien hervorgegangen sind, die a unterstreichen
ständige Suche nach neuen und aufregenden Farben, um die Palette des Künstlers zu erweitern. 2. Alle verwendeten Pigmente müssen gemäß den Standards ASTM 1 und 2 oder BWS 7+ lichtbeständig sein. 3. Im Einklang mit der altholländischen Tradition muss jede Farbe mit dem formuliert werden
größtmögliche Pigmentierung im Bindemittelsystem. 4. Old Holland Classic Acrylics müssen frei von Streckmitteln oder Füllstoffen formuliert sein
Art. 5. 100 % reines Acrylharz muss das Rückgrat des Bindemittelsystems sein, um hervorragende Ergebnisse zu erzielen
Haftung, Farbe
Sakura Pen Touch Pen-Touch permanent markers are great for marking, embellishing and embellishing with opaque, bold colors on a variety of substrates including card, plastic, wood, glass, porcelain, paper and metal.Standard pen touch markers have a rounded tip and are available in three different sizes. Clear colors. Good adhesion to most surfaces such as metal, glass, wood, plastic and paper. Xylene-free - low odor. waterproof and fade resistant