Characteristic for a panama weave, a variant of the plain weave, is the typical cube or chessboard pattern. This unprimed fabric shows a distinct structure on both sides. It is very tear-resistant and therefore suitable for all formats, especially large ones.
Weight: 370 g / m²
Width: 3.10 m (plus edge)
100 % cotton
Price per running meter
Content:
3.1 Quadrat Meter
(€4.91* / 1 Quadrat Meter)
Lance: “I have been painting since I was a child. My mother is an artist and encouraged me to paint, about which I am still very grateful. Due to my busy life my painting had to take a back seat, but when I was 40 and achieved everything that I had wanted to achieve, I decided to focus completely on painting. I wanted to share my art, my vision, with the world. Just enjoy myself painting When I started I deliberately did not give myself any objectives, apart from working hard, learning a lot and not worrying what others may think. I just want to enjoy myself painting! My uniqueness My uniqueness comes from simply being myself. I use those colours that arise within me and let the palette knife move, following my emotions at the time. I let my thoughts go where they want to. I always say the finished painting is already on that blank canvas, it just uses my hands and eyes to reveal itself to the world. It has its own life!”PDF colour chart
Linen weave is the simplest and certainly the oldest weave: here yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics.
100% linen
primed with transparent glue
weight before priming: 260 g/m²
weight after priming: 430 g/m²
width: 1.50 m (plus edge)
coarse texture
dense fabric
good resistance, suitable for wall painting
Italian quality
price per running meter10m rolls
Content:
1.5 Quadrat Meter
(€16.20* / 1 Quadrat Meter)
The twill weave is characterised by the diagonal, parallel lines (twill ridge) formed by the juxtaposition of the binding points (crossing points of warp and weft). This fabric shows a clear diagonal twill structure on one side and is rather fine on the other.
Cotton with twill weave is suitable for all formats, especially for large formats.
weight: 380g / m²
width:3.20 m (plus edge)
cotton 100%
price per running meter
Content:
3.2 Quadrat Meter
(€5.04* / 1 Quadrat Meter)
Lascaux Gesso is an acrylic semicircular primer and gives a half-sucking, pure white and matt surface with good grip. Suitable for acrylic, oil, watercolor and tempera - tals, in particular glaze technology. semi-priming fast drying, elastic light and aging resistant excellent adhesion very concentrated and productive water-thinnable, can be dyed easy to sandApplication: for all absorbent substrates such as canvas, textiles, paper, cardboard, fiber boards, fiber cement, plastics and wood for acrylic, oil, watercolor and tempera painting.
profile: 2.0 x 3.5 cm
side length 15 - 160 cm
custom formats possible on request
`sharp edge' possible on request
The K35 has a profile of 2.0 x 3.5 cm. We use seasoned and kiln-dried pine for the stretcher frame. The wood is finger-jointed to prevent the natural tendency of the wood to warp and, thanks to multiple gluing, is almost free of warping- a high-quality handcrafted product at an extraordinarily affordable price.The stretcher frame is available from a side length of 15 to 160 cm. We will be happy to cut the frame to your desired format for an additional charge of 5 euros per bar. Please note that the cross bars must also be cut to size.The stretcher frame has a round edge. If you wish a 'sharp edge', it is possible against a surcharge of 5 euros per bar.In order to obtain a stretcher frame, you need two stretcher bars of the long side, two of the shorter side and optionally a middle piece or cross and wedges.The pine wood wedges necessary for wedging (2 pieces per bar and middle bar) are not included in the price. Please order https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/910/wedges-standard-pine/keys-100pcs?number=10864
If you require an additional bracing, please combine the frame with the cross bars K35: https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/34/keilrahmen-mittelstueck-k35-1-8x3-5cm?number=10034The stretcher frame has a 1-fold slit from a side length of 50 cm.Advice on bracing:Under a side length of 1m no middle bars are needed. If one side length exceeds 1m, one middle bar of the shorter side length is sufficient.If both sides are more than 1m long, you need one bar per side length (a simple cross).
Content:
0.15 Laufende(r) Meter
(€1.07* / 1 Laufende(r) Meter)
weight after priming: 310 g/m²
width: 2.10 m (plus edge)
medium-fine
primed with slightly absorbent universal primer
brown backside
100% cotton
suitable for oil, acrylic, tempera and gouache
price per running meter 10m roll
Content:
2.1 Quadrat Meter
(€6.17* / 1 Quadrat Meter)
Primed cotton, 250g, 2.13m wide Universal primer (three layers) 250 g/m² pure cotton fabric medium rough texture Width: 2.13m 20m roll PCode: CT04160250Due to its weight/volume, this item must be shipped using a dedicated courier service.
Content:
2.13 Quadrat Meter
(€3.77* / 1 Quadrat Meter)
Primed linen, 400g, 2.13m wide Universal primer (three layers) 400g/m² pure linen fabric fine texture Width: 2.13 m (plus border) 20m roll PCode: LN06480400
Content:
2.13 Quadrat Meter
(€15.21* / 1 Quadrat Meter)
profile: 2.0 x 6.5 cm
side length 25 - 400 cm
custom formats upon request
´sharp edge´ upon request
from 2 m 2-fold slit
only available on order, e.g. by e-mail
The K 2065 has a profile of 2.0 x 6.5 cm. We use seasoned and kiln-dried pine for the stretcher frame. The wood is finger-jointed to prevent the natural tendency of the wood to warp and, thanks to multiple gluing, is almost free of warping- a high-quality handcrafted product at an extraordinarily affordable price.The stretcher frame is available from a side length of 25 to 400 cm. We will be happy to cut the frame to your desired format for an additional charge of 5 euros per bar. Please note that the cross bars must also be cut to size.The stretcher frame has a round edge. If you wish a 'sharp edge', it is possible against a surcharge.In order to obtain a stretcher frame, you need two stretcher bars of the long side, two of the shorter side and optionally a middle piece or cross and wedges.The hard wood wedges necessary for wedging (2 pieces per bar and middle bar) are not included in the price. Please order for the stretcher bars and the cross braces https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/991/wedges-big-beech/keys-50pcs.?number=10939
If you require an additional bracing, please combine the frame with the cross bars K2065: https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/2342/stretcher-bar-k60?number=12239
The stretcher frame has a 1-fold slit from a side length of 50 cm up to a side length of 195 cm and a 2-fold slit from a side length of 200 cm.Advice on bracing:Under a side length of 1m no middle bars are needed. If one side length exceeds 1m, one middle bar of the shorter side length is sufficient.If both sides are more than 1m long, you need one bar per side length (a simple cross). If one side is more than 2m long, you need two middle pieces of the shorter side and one of the long side (single double cross). If both sides are more than 2m long, the stretcher bars are each double slotted, so you need two middle bars per side length (double double cross). Please select the appropriate number of middle bars.
Content:
0.25 Laufende(r) Meter
(€3.64* / 1 Laufende(r) Meter)
PRODUCT AVAILABLE ONLY ON A SPECIAL ORDER.MINIMUM AMOUNT 20m.ORDERS PLEASE SUBMIT BY E-MAIL.
hand-primed
weight before priming: 340 g/m²
width: 1.60 m (plus edge)
medium-fine
very good quality
double primed with slightly absorbent universal primer
light back
100 % cotton
suitable for oil, acrylic, tempera and gouache
price per running meter 10m
Content:
1.6 Quadrat Meter
(€8.10* / 1 Quadrat Meter)
Linen weave is the simplest and certainly the oldest weave: here yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics.
100% linen
primed with transparent glue
weight before priming: 250 g/m²
weight after priming: 330 g/m²
width: 1.95 m (plus edge)
medium- fine texture
dense fabric
universal grain size, suitable for any painting
Italian quality
price per running meter10m roll
Content:
1.95 Quadrat Meter
(€16.25* / 1 Quadrat Meter)
primed linen, 490g, 2.13 m wide, Universal primer (three layers) 490 g/m² fine texture pure linen fabric Width: 2.13 m (plus border) 10m roll PCode: LN08300490Due to its weight/volume, this item must be shipped using a dedicated courier service.
Content:
2.13 Quadrat Meter
(€18.60* / 1 Quadrat Meter)
Linen weave is the simplest and certainly the oldest weave: here yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics.
For an double oil-primed canvas, a zinc white primer based on linseed oil is applied first. The canvas is air-dried and sanded, followed by a layer of linseed oil-based titanium white.
100% linen
Tripple oil primed
weight: 355 g/m²
width: 2.10 m (plus edge)
very fine texture
Belgian quality
price per running meter
10m roll
Content:
2.1 Quadrat Meter
(€42.17* / 1 Quadrat Meter)
Lascaux Varnishes/FixativFor the ideal finishing treatment of a work: acrylic varnishes increase resistance to the effects of weather, soiling andmechanical stress and make cleaning easier. They have good adhesive properties, are non-yellowing, lightfast andage-resistant. A final varnish can harmonize surface sheen in a painting.Lascaux Acrylic TransparentVarnish 1 gloss, 2 matt and3 semi glossCompositionPure acrylic resin dispersionProperties- water-thinnable- dries to waterproof and clear film- of superior transparency- excellent adhesion, abrasion resistance andhardness- lightfast and age resistantApplications- Various applications on stable surfaces:- protective varnish for acrylic paintings- protective varnish for digital print- painting medium for acrylic systems- increases the hardness of Lascaux Artist andStudio artists’ acrylic colours- coating of wood, plywood and hardboard- transparent wood varnish for interiorsDirectionsProtective varnish for acrylic paintings: Provides excellentprotection against weathering, dirt and mechanicaldamage. For use as a final varnish on painted objects,dilute Lascaux Acrylic Transparent Varnish with about25% of water and apply by spray gun or soft brush.Leave to dry for 4-6 hours, then spray or brush on asecond coat.The 1, 2 and 3 varieties can be mixed, allowing you toadjust the degree of gloss as desired. A final coathelps to bring out the intensity of the colours. TransparentVarnish 3 increases the resistance withoutaltering the sheen of Lascaux acrylic colours.Protective varnish for digital print: For best applicationand to obtain an even coat the varnish is sprayed on. Itcan also be rolled, whereby attention has to be paid toavoid film irritations like air podcets.Painting medium for acrylic systems: Add as required.Increases the hardness of Lascaux Artist and Studioartists’ acrylic colours: Mixed with Lascaux acrylicpaints, the varnish provides improved grip and hardnessand enhances the paints’ abrasion resistance.Add 25-50% Lascaux Transparent Varnish to the paint.Coating of wood, plywood and hardboard (chipboard,etc.): Mix 1 part Lascaux Transparent Varnish with 1 to3 part water. Apply one good coat to seal the surface.When the varnish is dry, carefully sand off the raisedfibres.Transparent wood varnish for interiors: Mix 1 partLascaux Transparent Varnish with 1 to 3 part water.Apply one good coat to seal the surface. When thevarnish is dry, carefully sand off the raised fibres. Thencoat the surface with a mixture of 4 parts LascauxTransparent Varnish and 1 part water.Special NotesBefore applying the varnish the paint layer should bethoroughly dry. Depending on the thickness of thelayer, the temperature and humidity, this can take 1-2days or longer if the layers is thicker.The working temperature, given an average humidity of40-60 %, should be above +8°C. When the humidity(over approx. 75%) is higher, the varnish should not beused below the temperature of 15°C, as problems inthe film building might occur otherwise. This applies forboth, the temperature during the application as well asfor the first hours of drying.The film has to be thoroughly dry before exposing it tothe influence of weather or mechanical stress. Dependingon the thickness of the layers, the temperature andthe humidity this can be between 1-2 weeks, withthicker layers even longer.CoverageApprox 40-70 ml/m2 per coat, depending on the supportand application.NotesPhysiologically and toxicologically safe in conventionalusage. USA: conforms to ASTM D-4236. “Non toxic”.SizesJars of 85 ml, 250 ml, 1 l and plastic buckets of 5 l
Lascaux Varnishes/FixativFor the ideal finishing treatment of a work: acrylic varnishes increase resistance to the effects of weather, soiling andmechanical stress and make cleaning easier. They have good adhesive properties, are non-yellowing, lightfast andage-resistant. A final varnish can harmonize surface sheen in a painting.Lascaux Acrylic TransparentVarnish 1 gloss, 2 matt and3 semi glossCompositionPure acrylic resin dispersionProperties- water-thinnable- dries to waterproof and clear film- of superior transparency- excellent adhesion, abrasion resistance andhardness- lightfast and age resistantApplications- Various applications on stable surfaces:- protective varnish for acrylic paintings- protective varnish for digital print- painting medium for acrylic systems- increases the hardness of Lascaux Artist andStudio artists’ acrylic colours- coating of wood, plywood and hardboard- transparent wood varnish for interiorsDirectionsProtective varnish for acrylic paintings: Provides excellentprotection against weathering, dirt and mechanicaldamage. For use as a final varnish on painted objects,dilute Lascaux Acrylic Transparent Varnish with about25% of water and apply by spray gun or soft brush.Leave to dry for 4-6 hours, then spray or brush on asecond coat.The 1, 2 and 3 varieties can be mixed, allowing you toadjust the degree of gloss as desired. A final coathelps to bring out the intensity of the colours. TransparentVarnish 3 increases the resistance withoutaltering the sheen of Lascaux acrylic colours.Protective varnish for digital print: For best applicationand to obtain an even coat the varnish is sprayed on. Itcan also be rolled, whereby attention has to be paid toavoid film irritations like air podcets.Painting medium for acrylic systems: Add as required.Increases the hardness of Lascaux Artist and Studioartists’ acrylic colours: Mixed with Lascaux acrylicpaints, the varnish provides improved grip and hardnessand enhances the paints’ abrasion resistance.Add 25-50% Lascaux Transparent Varnish to the paint.Coating of wood, plywood and hardboard (chipboard,etc.): Mix 1 part Lascaux Transparent Varnish with 1 to3 part water. Apply one good coat to seal the surface.When the varnish is dry, carefully sand off the raisedfibres.Transparent wood varnish for interiors: Mix 1 partLascaux Transparent Varnish with 1 to 3 part water.Apply one good coat to seal the surface. When thevarnish is dry, carefully sand off the raised fibres. Thencoat the surface with a mixture of 4 parts LascauxTransparent Varnish and 1 part water.Special NotesBefore applying the varnish the paint layer should bethoroughly dry. Depending on the thickness of thelayer, the temperature and humidity, this can take 1-2days or longer if the layers is thicker.The working temperature, given an average humidity of40-60 %, should be above +8°C. When the humidity(over approx. 75%) is higher, the varnish should not beused below the temperature of 15°C, as problems inthe film building might occur otherwise. This applies forboth, the temperature during the application as well asfor the first hours of drying.The film has to be thoroughly dry before exposing it tothe influence of weather or mechanical stress. Dependingon the thickness of the layers, the temperature andthe humidity this can be between 1-2 weeks, withthicker layers even longer.CoverageApprox 40-70 ml/m2 per coat, depending on the supportand application.NotesPhysiologically and toxicologically safe in conventionalusage. USA: conforms to ASTM D-4236. “Non toxic”.SizesJars of 85 ml, 250 ml, 1 l and plastic buckets of 5 l
Lascaux Primer is an excellent adhesive primer, which forms a matte, pure-white and only weakly absorbent surface. Suitable for all absorbent substrates. slightly absorbent fast drying, elastic light and aging resistant excellent adhesion very concentrated and productive water-thinnable, can be dyedApplication: for all absorbent substrates such as canvas, textiles, paper, cardboard, fiber boards, fiber cement, plastics and wood for acrylic, oil and tempering.
- dries to a waterproof matt film- modifies the gloss of Lascaux acrylic colours- due to its relatively large particle size, this mediumis not suitable as a colourless matt varnish: thecoarse-grained dry surface is not scratch-resistant,and the colour appears duller- ideal for glazes on concrete (pur or diluted with upto max. 10% water) and can be tinted with acryliccolours as desired (approx. 5-10%)- may be used alone as colourless sizing or primerfor canvas and paper
Lascaux Impasto Gel 1 gloss /2 matt / 3 satin mattCompositionPure acrylic resin emulsionProperties- thinnable with water- dries to a waterproof and crystal-clear film- becomes viscous-elastic and flexible- lightfast and age-resistantApplications- painting mediums for acrylic colours- to create transparent and pasty colour applications- added to Lascaux Studio Acrylic colours itincreases pastosity (also for the creation of heavyimpastos)- can be added in any proportion to Lascaux ArtistAcrylic colours without changing viscosity andtexture of the Artist Acrylic colours- Impasto Gels prolong the drying of acrylicsaccording to the amount added- Impasto Gels are particularly suitable as adhesivesfor collages and for embedding a variety ofmaterials. They can also be combined withpigments, earth, sand and other granularsubstances- use as a final texture varnish for interior(Impasto Gel 1 gloss is particularly suitable forcolourless textural final varnishes for art prints etc.)DirectionsInteresting textural effects can be achieved with abrush or palette knife when used undiluted or mixedwith a bit of colour. Diluted with water, Impasto Gelforms a viscous film.Very thick colourless layers (above 5 mm/ 1/5 in.) maytake several days to dry completely.Depending on the amount of Impasto Gel 1 gloss added,the colours become more brilliant and transparentas well as glossier.
The Transparent Lacquer 2-UV is a water-thinnable acrylic lacquer that dries to a clear and matte film. Contains UV stabilizers for the best protection in outdoor applications.colorless, waterproof, high transparency protects against UV radiation very high binder content flexible film weather resistant and resistant to aging light and not yellowing good adhesion, abrasion resistance and hardness.
Feine SENNELIER Acrylfarbe Abstract von hoher Qualität, hergestellt in Frankreich. Die außergewöhnliche Pigmentkonzentration verleiht der Farbe eine cremige Konsistenz mit Heavy-Body-eingestufter Pastosität und eine unvergleichliche Deckkraft. Die sowohl mit Pinsel als auch mit Messer leicht verwendbare Paste lässt sich angenehm handhaben. Sie hat Substanz und bewahrt die Prägung des Werkzeugs.
Aufgrund ihrer einfachen Anwendung auf zahlreichen Untergründen, insbesondere auf Leinwand, wird SENNELIER Abstract von Künstlern und Anhängern von Mixed-Media, Street-Art und anderen modernen Techniken sehr geschätzt.
Praktischer Liner mit innovativer Dosier-Kappe
Ideal zum Malen von Punkten und feinen Linien
Inhalt: 27 ml
Erhältlich in zahlreichen Farbtönen