Das Fabriano Disegno No. 5 Aquarellpapier ist Büttenpapier, hergestellt aus einer wertvollen Mischung aus Baumwolle (50%) und sorffältig ausgewählten Rohmaterialien. Es ist säurefrei und garantiert somit hohe Altersbeständigkeit. Es eignet sich ideal für Tempera, Gouache, Acryl, Tinte, Kohle, Wachs, Graphit und Zeichnen, aber auch für Lithographie und Siebdruck. Was Wasserzeichen zeigt das Fabriano-Logo und die Inschriftt "50% Baumwolle".
300 Series Newsprint
Medienanwendungen: Glatt - Graphitstift, Buntstift Rau - Graphitstift, Buntstift, Holzkohle, SkizzenstabEin schwereres natürlich getöntes Zeitungspapier zum Üben von Skizzieren und Zeichnen.
50 Blatt
ca. 55 g/m²
weiche oder raue Oberflächenstruktur
Format: 45 x 60 cm
Römerturm Fotokarton
Der säure- und holzfreie Fotokarton ist in der Masse gefärbt und wird zu 100 % aus Altpapier hergestellt. Da dieses Papier mit umweltfreundlichen Farben gefertigt wird, trägt es eines der höchsten deutschen Umweltzeichen: den "Blauen Engel" (außer die Farben Gold und Silber). Darüber hinaus garantiert das Papier mit seinem LGA-tested-Zertifikat gleichbleibende Qualität und Sicherheit im Umgang mit diesem Produkt. Eine matt-griffige Oberfläche in Kombination mit einer hohen Steifigkeit verleiht diesem Karton seinen besonderen Charakter.
Eigenschaften
Grammatur: 270g/m²
Römerturm bookbinding cardboard / greyboard Size: 70cm x 100cm The smooth, grey-beige colored bookbinding cardboard is made from 100% recycled paper. It is certified with the Blue Angel and the FSC® eco-label (FSC® Recycled Credit). The cardboard is acid-free, has a pH value of approx. 8.3 and is therefore manufactured in accordance with DIN ISO 9706 for maximum aging resistance. It also corresponds to DIN ISO 16245:2012 Type B. The cardboard is food-safe and can therefore be used for food packaging. (It may be in direct contact with dry, non-fatty foods and foods that are peeled or washed before consumption and used as secondary packaging, excerpt from the declaration of no objection.)Due to its weight/volume, this item must be shipped using a dedicated courier service.
Roman tower Finnboard natural matt The Finnish machine wood cardboard is natural colored and acid-free. As pure wood pulp cardboard, Finnboard combines the advantages of a high material volume with a low specific weight and has excellent processing properties. Thanks to its smooth surfaces, it is particularly suitable as a laminating base for printed sheets and papers and as a backing board. The Finnboard is available in thicknesses from 1.0 mm to 4.0 mm
Our bright white Bristol board is acid free and has a smooth finish. He is glued neutral; worked through and glued once or several times depending on the thickness. In addition to good printability, Bristol board has high breaking strength and flexural strength. In addition, the cardboard stands for good grooving and creasability. Grammage: 246g/m², 308g/m², 369g/m², 431g/m², 492g/m², 615g/m², 738g/m², 924g/m²,Colours: bright whiteFormats: 500x700mm, 1000x700mm
Fine white drawing paper, acid-free, double glued, opaque, good erasure resistance. For technical and artistic drawings as well as school supplies.Grammage: 200 g / m2Surface: MattColor white
Product information "Romerturm Universal Paper JUPP"
Uncoated paper Jupp Jupp impresses - like every real "Kölsche Jung" - above all with its naturalness. The uncoated paper with perfect sheet formation delivers optimal printing results in offset, inkjet and laser printing. Available in the colors white, cream, chubby and ech eco. Rough, rougher, Jupp chubby
Jupp chubby promises an extraordinary feel thanks to its 1.5 times volume and its open porosity. The paper is almost three times as rough as the "normal" Jupp white paper. Nevertheless, it can be printed perfectly, both in offset and inkjet and laser printing. The secret? A special surface treatment, specially developed for Jupp chubby. The high whiteness of 171 CIE guarantees high-contrast printing results. Jupp chubby is available in grammages from 80 to 400 g/m². The Jupp family Jupp pummelisch is the newest member of the Jupp family. Jupp impresses – like every real “Kölsche Jung” – above all with its naturalness. The uncoated paper with perfect sheet formation is used in many areas and delivers optimal printing results. Jupp is – unlike the new bright white Jupp pummelisch – available in various colors: “wiess” (bright white), “crääm” (natural white) and “ech öko” (white recycling), available in grammages from 80 to 400 g/m². Properties Printing processes: letterpress, flexographic printing, high-speed inkjet printing (HSI), inkjet printing, laser printing, offset printing, screen printing Refinements: blind embossing, cellophane wrapping, relief printing
Suitable for all dry techniques, excellent pigment bond; limited use tor paintbrush drawings. The sketchbook cover allows excellent and easy opening (double-page to be laid on even surface). Thread bound (stitched), cover made of pasteboard. The straight linen spine is deliverable in 5 colours. No.110811 is made with a strong glue binding. Natural white sketchpaper with rough surface, lignin-free, acid-free (pH 8-9.0), no chlorine bleach. ISO 9706 "longlife". Paper is made in EU, books are made in Germany and EU.
Arches Vellum Text WoveIt is produced on a cylinder mould machine (traditional process) : giving it a quality similar to that of handmade paper. The slow rotation of the cylinder causes the fibres to settle evenly and spread out in all directions on the fabric. The paper is therefore homogeneous and has a high dimensional stability. Only production with the cylinder mould makes it possible to obtain papers with a fibrous deckle edge.
UseCalligraphy, pen, ink, pastel, charcoal, binding, typography, screen printing
FormatSheet
100% cottonVery resistant paper. The pleasure of using a soft, supple and noble material (incredible feel). TextureLight fine grain: Gentle, perfectly balanced grain and smooth surface.
119 g/m²Light and supple. The paper is grippy, i.e. relatively thick with a grammage of 119 g/m².
Special formulationSurface-glued: Limits the absorbency of the paper (the ink does not bleed or penetrate the paper) and guarantees a good hold of the fibres. The nib glides easily and smoothly over the paper. Excellent for calligraphy and ink. Ideal for typography and bindings. ColourNatural white. Very popular shade with calligraphers and art publishers.
Sheet: Authenticity and prestigedeckle edges
StorageWith alkaline reserve, without acid or optical brighteners (ageing resistant according to ISO 9706)
Fabriano Unica paper is made of 50% cotton, suitable for all printmaking techniques. Fabriano Unica originates from the many centuries of experience gained by the Fabriano paper mills and collaboration with a group of artistsfrom the Opificio della Rosa, an international centre dedicated to the awareness and spread of traditional and innovative methods of printmaking. These artists have tested the paper with a host of printing, engraving and other techniques, testing it to its limits. From this cooperation between the people who make paper and the people who use it, a unique product has been created, as its name suggests. Just one perfect substrate for every printing application. The quality and value of Italian made paper is epitomized in Fabriano Unica.
Available in 250gsm, 50x70cm, creme or extra white.
Always have a clean palette available with special smooth paper for easy mixing. This tear-off palette is suitable for a variety of paints like acrylic color, oil color, and watercolor. The thumb-hole provides an easy grip while painting.
Cold Wax Medium: Techniques, Concepts & Conversations.
More than just a technical guide, this 320-page, fully illustrated book provides comprehensive information for those who are new to cold wax, as well as technical expertise and inspiration to those already using the medium. The authors' advice and experience--along with the work and words of over 100 artists from around the world--will strengthen your work and studio practice, suggest exciting new directions, and support thoughtful self-critique.
Rebecca Crowell and Jerry McLaughlin feel strongly that the "why" of using cold wax medium is as important as the “how.” Many of the artists whose work appears in the book speak about collaboration, process, and experimentation. The authors include their own thoughts about these topics, and more. And because readers also want clear information and direction for working with cold wax, large sections of the book are devoted to important practical information, including: materials, detailed lists of supplies, studio setup, illustrated how-to sections, and in-depth discussion of procedures.
Full color photographs of artwork from more than 100 artists around the world, including abstract images, portraits, landscapes, still lifes, and work that combines cold wax with sculpture, collage, encaustic, printmaking, and other media.
In-depth information on choosing materials and tools, setting up a safe and functional studio, making cold wax medium, and more.
Illustrated techniques for combining cold wax medium with oils, dry pigments, and other materials to create a wide range of effects.
Techniques and insights into the creative process contributed by over 40 artists.
Advice for building visual vocabulary, aligning form and content, finding personal voice, and practicing self-critique.
Overview of the history of cold wax in art.
An extensive list of suppliers and resources.
Eine feingerippte Oberfläche verleiht diesem Papier eine dezente Optik. Ingres eignet sich hervorragend für alle trockenen Mal- und Zeichentechniken, zum Beispiel mit Bleistift, Kreiden, Pastell und Rötel. Säurefrei und alterungsbeständig.
Grammatur 100 g/m² bei 48 * 62,5 cm und 150 g/m² bei 78 * 104 cm
Fabriano White ECOLOGICAL Artist Paper
200 g/m2 and 120 g/m2,
94 Ibs,
50 Sheets (200 g/m2) and 80 sheets (120 g/m2) in A4 form and 25 Sheets (200 g/m2) and 40 sheets (120 g/m2) in A3 form.
Eco-friendly drawing paper, Acid Free, made from 100% post-consumer recycled cellulose.Surface slightly marked and with a high degree of white, higher than that of a commonrecycled paper. Thanks to its excellent superficial and mass surface sizing it is ideal for splashes anddrawing with pencil, charcoal, crayon, colored pencil and ink. The use of celluloseRecycled allows you to save 15 trees per ton of paper produced (equivalent to 1,200 blocks).The use of hydroelectric energy generates a saving of 14,000,000 m3 of methane and 26,000tons of non-CO2 emissions. The company complies with the Kyoto protocol (authorizationministerial to the emission of greenhouse gases n. 566). The paper bears the "100% recycled FSC®" labelensuring that the product is made thanks to the reuse of post-consumer recycled materialin accordance with the FSC standards, supporting responsible use of forest resources.
Das säure- und holzfreie Tonzeichenpapier ist in der Masse gefärbt und wird zu 100 % aus Altpapier hergestellt. Da dieses Papier mit umweltfreundlichen Farben gefertigt wird, trägt es eines der höchsten deutschen Umweltzeichen: den "Blauen Engel" (außer die Farben Gold und Silber). Darüber hinaus garantiert das Papier mit seinem LGA-tested-Zertifikat gleichbleibende Qualität und Sicherheit im Umgang mit diesem Produkt. Eine matt-griffige Oberfläche in Kombination mit einer hohen Steifigkeit geben diesem Papier einen besonderen Charakter.
Grammatur: 130g/m², Materialien: 100 % Alphacellulose
erhältlich in 70 x 100cm, 50 x 70 cm, DIN A4
weiß und schwarz
Sketch Booklet Black
140 g/m²
Schwarz mit fein gemasertem Umschlag ist dieses Skizzenheft der tägliche Begleiter für alle, die schlichte Eleganz zu schätzen wissen. Flexibel und schlank passt es in jede Tasche.
Das leicht raue naturweiße Papier eignet sich für Zeichnungen mit Bleistift, Kohle und Rötel sowie Bunt- oder Farbstiften. Lieferbar mit 40 Seiten in den Formaten DIN A5 und A4.
