Oil paper
Also made on a cylinder mould, 100% cotton, ARCHES® Oil, 300 gsm, is suitable for marouflage. Its grain is comparable to that of a stretched canvas, which makes for comfortable working and requires no prior preparation. Thanks to its semi-absorbent surface, the paint stays on the surface for an excellent rendering of the colours and faster drying times. Composition: 100% cotton – Made on a cylinder mould Grammage: 300 g/m2 Texture: fine grain Colour: white Edges (sheet): 4 deckle edges Watermark (sheet): “Arches® Huile ∞ France” Format: pad Content: 12 sheets Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) Uses: oil and oil pastel
Weight: 215 lb. (24" x 36" x 500 sheets) 350 g/m2 Surface: Linen Textured A convenient alternative to canvases or boards for oil paints or oil pastels. No gesso is required to prevent oil saturation, simply tear out a sheet and start painting! The linen surface mimics canvas while providing texture to help blend and hold layers of paint in place. Intended for the creation of final art pieces. Pad Features: Glue Bound pads have flip-over covers.
Product information "Vang Acryl and Oilpad" Vang Acryl & Oil painting pad AÖ230 230 g 12 sheets The acrylic & oil painting pad from Vang has fine, prepared linen paper for oil and acrylic painting.
It is produced on a cylinder mold (traditional process), achieving a quality similar to that of handmade paper. The slow rotation of the cylinder ensures that the fibers settle evenly and are distributed in all directions across the fabric. This creates a uniform paper with excellent flatness, which remains stable even when wet and offers the artist greater control. Only cylinder mold production makes it possible to produce papers with a fibrous deckle edge. Shipping weight approximately 1000g per item
Product information "Legion Stonehenge Oil Block 320g"Specifications100% cotton Neutral pHacid free 320gsm/140lb No deckle edge Packed in sheets of 10 No gesso preparation required Applications Oil paint Oil pastel Acrylic colorpencil Oil pens Graphite pencil
230 gsm, linen surface. Romerturm “Oil & Frida” oil painting block features 230 g/m², white linen-textured paper ideal for oil painting. The canvas-like, absorbent surface allows even absorption of oil paints, binders, and solvents while enhancing pigment brilliance and adhesion. The paper is acid-free and archival, ensuring long-term preservation without yellowing. It is ready to use without priming and suitable not only for oil painting, but also for oil pastels and heavy acrylic techniques.
Canson® Figueras® is a high-quality, resistant paper specially designed for oil painting. It has a high-performance barrier to absorb oil, bonding agents and water evenly, while guaranteeing superb resistance by the surface paint layer. It is uncoated, with a natural texture similar to canvas. This acid-free paper offers excellent longevity and can be kept for long periods. It is ready to use and lightweight, an ideal on-the-move medium equally at home in the wild or in your studio. It is also perfectly suitable for greasy pastel and acrylic, with substantial impasto effects.
Also made on a cylinder mould, 100% cotton, ARCHES® Oil, 300 gsm, is suitable for marouflage. Its grain is comparable to that of a stretched canvas, which makes for comfortable working and requires no prior preparation. Thanks to its semi-absorbent surface, the paint stays on the surface for an excellent rendering of the colours and faster drying times. Composition: 100% cotton – Made on a cylinder mould Grammage: 300 g/m2 Texture: fine grain Colour: white Edges (sheet): 4 deckle edges Watermark (sheet): “Arches® Huile ∞ France” Format: roll Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) Uses: oil and oil pastel