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LUCKA Cardboard Edge Protector – No. 1302 Durable and cost-effective edge protector made of corrugated cardboard by LUCKA. Designed to safeguard corners and edges during transport and storage. Material: Heavy-duty corrugated cardboard Purpose: Protection against impact, abrasion, and strapping damage Ideal for: Pallets, crates, parcels, and general packaging

Characteristic for a panama weave, a variant of the plain weave, is the typical cube or chessboard pattern. This unprimed fabric shows a distinct structure on both sides. It is very tear-resistant and therefore suitable for all formats, especially large ones. Weight: 370 g / m² Width: 3.10 m (plus edge) 100 % cotton Price per running meter30m roll  

The twill weave is characterised by the diagonal, parallel lines (twill ridge) formed by the juxtaposition of the binding points (crossing points of warp and weft). This fabric shows a clear diagonal twill structure on one side and is rather fine on the other. Cotton with twill weave is suitable for all formats, especially for large formats. weight: 380g / m² width:3.20 m (plus edge) cotton 100% price per running meter      

TALENS GESSO PRIMER 1001Purpose:Production of a universal preparation layer on variousabsorbing subsoilsComposition:  Acrylic resin dispersion, titanium dioxideEnsures good adhesion, including oil, acrylic and poster colorSuitable for absorbent dust- and grease-free substrates such as malt, wood,Multiplex, hardboard, cardboard and paperSuitable as a preparation for brickwork on alkaline and non-alkalineSubfloors like fresh concrete, stucco and brickStrongly absorbent substrates must first be treated with Amsterdam acrylic binderCan be dyed with acrylic paintCan be thinned with waterDrys within a few hours, after 24 hours can be painted over with oil paintStore above 10 ° C, keep frost-freeClean the material with waterAvailable in 1000 ml, 5 l and 10 l.

Primed cotton, 280g, 1.82m wide     Universal primer (three layers)     280 g/m²     pure cotton fabric     medium rough texture     Width: 1.82m     20m roll     PCode: CT05120280

    weight after priming: 310 g/m²     width: 2.10 m (plus edge)     medium-fine     primed with slightly absorbent universal primer     brown backside     100% cotton     suitable for oil, acrylic, tempera and gouache     price per running meter    10m roll

Product information "Vallejo Acrylic Studio"A limited range of quality acrylic paints for artists, meeting the highest standards for art paints and ideal for working in the studio, on large formats, murals and installations. Acrylic Studio contains the same resin as Acrylic Artist Color and many of the same pigments; the pigments for this range have been selected for their resistance, purity and color intensity, always with the aim of offering an excellent product at a moderate and consistent price. Acrylic Studio paints do not contain any fillers, so the colors have great strength and chromatic purity. They are opaque or transparent, depending on the type of pigment, and dry to a semi-matt finish. The 26 colors do not contain toxic pigments or heavy metal derivatives and do not generate waste products that could pollute the environment. The name and color index number of the pigments are indicated on the labels and in the color chart, allowing the artist to study mixtures and develop their own colors with complete control. The thick consistency of Acrylic Studio allows all techniques, allows the artist to mix the colors with all mediums and foreign materials and can also be easily diluted with water for more transparent applications. In the range we offer Medium Primal and Studio Gesso; Acrylic Studio is fully compatible with our auxiliary products and with Acrylic Artist Color as well as with all other high-quality acrylic paints for artists.

    profile: 2.0 x 6.5 cm     side length 25 - 400 cm     custom formats upon request     ´sharp edge´ upon request     from 2 m 2-fold slit     only available on order, e.g. by e-mail The K 2065 has a profile of  2.0 x 6.5 cm. We use seasoned and kiln-dried pine for the stretcher frame. The wood is finger-jointed to prevent the natural tendency of the wood to warp and, thanks to multiple gluing, is almost free of warping- a high-quality handcrafted product at an extraordinarily affordable price.The stretcher frame is available from a side length of 25 to 400 cm. We will be happy to cut the frame to your desired format for an additional charge of 5 euros per bar. Please note that the cross bars must also be cut to size.The stretcher frame has a round edge. If you wish a 'sharp edge', it is possible against a surcharge.In order to obtain a stretcher frame, you need two stretcher bars of the long side, two of the shorter side and optionally a middle piece or cross and wedges.The hard wood wedges necessary for wedging (2 pieces per bar and middle bar) are not included in the price. Please order for the stretcher bars and the cross braces https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/991/wedges-big-beech/keys-50pcs.?number=10939 If you require an additional bracing, please combine the frame with the cross bars K2065: https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/2342/stretcher-bar-k60?number=12239 The stretcher frame has a 1-fold slit from a side length of 50 cm up to a side length of 195 cm and a 2-fold slit from a side length of 200 cm.Advice on bracing:Under a side length of 1m no middle bars are needed. If one side length exceeds 1m, one middle bar of the shorter side length is sufficient.If both sides are more than 1m long, you need one bar per side length (a simple cross). If one side is more than 2m long, you need two middle pieces of the shorter side and one of the long side (single double cross). If both sides are more than 2m long, the stretcher bars are each double slotted, so you need two middle bars per side length (double double cross). Please select the appropriate number of middle bars.      

Linen weave is the simplest and certainly the oldest weave: here yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics. For an double oil-primed canvas, a zinc white primer based on linseed oil is applied first. The canvas is air-dried and sanded, followed by a layer of linseed oil-based titanium white.     100% linen     Tripple oil primed     weight: 355 g/m²     width: 2.10 m (plus edge)     very fine texture     Belgian quality     price per running meter     10m roll

PRODUCT AVAILABLE ONLY ON A SPECIAL ORDER.MINIMUM AMOUNT 20m.ORDERS PLEASE SUBMIT BY E-MAIL.     hand-primed     weight before priming: 340 g/m²     width: 1.60 m (plus edge)     medium-fine     very good quality     double primed with slightly absorbent universal primer     light back     100 % cotton     suitable for oil, acrylic, tempera and gouache     price per running meter    10m

Linen weave is the simplest and certainly the oldest weave: yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics.     100% linen     unprimed     weight: 395 g/m²     Width: 2.10m / 84 inch (plus border)     coarse texture     dense fabric     calendered finish ( a process used to smooth a material)     Belgian quality     100% vegan     price per running meter     10m Roll     warp threads/cm     20     weft threads/cm     16     #068

  PREMIUM QUALITY CANVAS A canvas that can capture every brush stroke is perhaps the most valued by any artist. These artist grade canvases are an apt choise for the discerning professional. Made from 100 % cotton and triple primed with acrylic gesso with acid free sizing, you will delight in the subtle detail that will make your creations stand out. Stretched and back stapled over a heavy-duty kiln dried pine wood section, these canvases retain their original form for years and have been certified to be conforming to ASTM D-4236 100 % cotton - 350g/m² triple primed with acrylic titanium gesso acid free sizing kiln dried stretcher bar high density pine wood easy for re-stretching back stapled suitable for oil & acrylic painting Profil 19 x 38 mm

Product information "Pigma Micron Fineliners Set of 6" A selection of the 6 most popular black Pigma Micron pens in different tip widths:1 x 005 (0.2mm), 1 x 01 (0.25mm), 1 x 02 (0.30mm), 1 x 03 (0.35mm), 1 x 05 (0.45mm), 1 x 08 (0.50mm)The PIGMA Micron is a waterproof, durable fineliner and a faithful companion of designers, scientists, archivists, manga artists, comic artists, illustrators and hobby artists. It is also the recommended pen for Zentangle drawing. Thanks to the fine tip, this pen is ideal for both technical and artistic drawings.The einziPigma Micron Fineliners set of 6 - black Pigma Micron pens in different tip widths: 1 x 005 (0.2 mm), 1 x 01 (0.25 mm), 1 x 02 (0.30 mm), 1 x 03 ( 0.35mm), 1 x 05 (0.45mm), 1 x 08 (0.50mm)Grey Sakura Pigma™ ink does not bleed through paper, is permanent, waterproof, fade resistant, quick drying and pH neutral .

Product information "Old Holland New Masters Classic Acrylics 60 ml" New Masters® Classic Acrylics from Old Holland In 1998, Old Holland chemists began the first research work on a range of classic acrylic paints and mediums.It was a long-held dream of the late owner of Old Holland, Professor Theo de Beer, to create an acrylic paint worthy of carrying the brand name "Old Holland" (or "Scheveningen" paints as they are still called in Europe due to the town in which they were originally produced) and he personally named the project "New Masters" after his feeling that it should be like this, just as Old Holland oils were used in the works of many old masters. From this it can be concluded that the Old Holland acrylic paints would be used today by the new masters of art. "The main criteria were set as follows. 1. The range should complement the existing oil and watercolour ranges and be a unique blend of the best traditional colours reflecting the heritage of Old Holland dating back to 1664, but also with the finest pigments resulting from new technologies that underline a constant search for new and exciting colours to broaden the artist's palette. 2. All pigments used must be lightfast to ASTM 1 and 2 or BWS 7+ standards. 3. In keeping with the Old Holland tradition, each colour must be formulated with the greatest possible pigmentation in the binder system. 4. Old Holland Classic Acrylics must be formulated free of extenders or fillers of any kind. 5. 100% pure acrylic resin must be the backbone of the binder system to achieve excellent adhesion, colour

A convenient way to get to know our fabrics, test our quality and find your favorite textile.Contents: The bundle primed cotton contains approx. 10 samples, height 20 cm - 60 cm, diameter approx. 20 cm. The package unprimed cotton contains about 5 samples, dimension (WHT) 30cm x 20cm x 30cm. The bundle of unprimed linen contains approx. 5 samples, height 20 cm - 60 cm, diameter approx. 20 cm. The bundle of primed linen contains approx. 10 samples, height 20 cm - 60 cm, diameter approx. 20 cm.

The Fabriano Artistico paper is mould made with 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even it scratched.  The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

Raphaël® Precision Oil and Acrylic Brush Series 8930 Flat brush, made of imitation sable hair strong, precise lines high resilience and elasticity

Shape : Fine Line Brush Fibre : imitation Sable Use : Long lines, precise details.

When you purchase a voucher you will receive a voucher code for a certain amount.Limiting the carbon footprint and paper consumption are important problems for us, so we do not send vouchers by post.The voucher can be used for multiple orders until the full amount is used up.

   The middle bars K2065 are suitable for stretcher frames K2065.   Depending on the length, the centre pieces either have no slot at all (shorter than 50 cm length), only one slot (from 50 cm length) or 2 slots (from 2m length). Accordingly, further middle pieces should be added so that 2 of them interlock at each slot, forming a cross and thus stabilizing the frame. Matching slots are worked into the wedge frames to anchor the ends of the corresponding centre pieces there.  

Das Acryl-Gesso-basierte Präparat ist saugfähiger als das Universalpräparat, auch weil es mit natürlichen Gessos mit hoher Absorption versetzt wird. Weißes Titan und Acrylharze werden auch in dieser Zubereitung verwendet. Das Endergebnis ähnelt dem Elfenbein und eignet sich für Öl- und Temperamalerei, kann aber auch für Acrylfarben geeignet sein. Seine hohe Absorption verbessert die Trocknung des Gemäldes. 100% Leinen feine Körnung 5 fache Grundierung mit Gesso Ungrundiert 220m² Grundiert 332m²  

Raphaël Precision Öl und Acryl Pinsel rund, Serie 8940, Katzenzungenpinsel feine Spitze langer Holstiel matte Silberzwinge der präziseste Öl und Acryl Pinsel seiner Klasse form- und lösungsmittelbeständig

Shape : Fine Line Brush Fibre : imitation Sable Use : Long lines, precise details. Raphaël® Precision Oil and Acrylic Brush, Series 8910 Line Puller ultra-precise brush, ideal for precise lines and fine details tug and lettering brush made of imitation sable hair high dimensional stability excellent fineness of its tip, as well as resilience and elasticity solvent-resistant

Soft pastels Ecu with exceptional luminosity from Sennelier. It took more than 3 years to conceive the range of soft, extra-fine pastels Sennelier "à l'écu", creating the most extensive color palette for pastels. Over the decades, the shades have evolved, but the core of the design has remained. All shades can be graded to white*. These pastels are available in all colors as 5ml, in black and white also in the Giga format of 240ml. Being light in hand, they facilitate work on large surfaces and allow regular use. * With the exception of 3 shades, where the gradations to other shades differ.