Characteristic for a panama weave, a variant of the plain weave, is the typical cube or chessboard pattern. This unprimed fabric shows a distinct structure on both sides. It is very tear-resistant and therefore suitable for all formats, especially large ones.
Weight: 370 g / m²
Width: 3.10 m (plus edge)
100 % cotton
Price per running meter30m roll
Content:
3.1 Quadrat Meter
(€5.78* / 1 Quadrat Meter)
The twill weave is characterised by the diagonal, parallel lines (twill ridge) formed by the juxtaposition of the binding points (crossing points of warp and weft). This fabric shows a clear diagonal twill structure on one side and is rather fine on the other.
Cotton with twill weave is suitable for all formats, especially for large formats.
weight: 380g / m²
width:3.20 m (plus edge)
cotton 100%
price per running meter
Content:
3.2 Quadrat Meter
(€5.04* / 1 Quadrat Meter)
TALENS GESSO PRIMER 1001Purpose:Production of a universal preparation layer on variousabsorbing subsoilsComposition: Acrylic resin dispersion, titanium dioxideEnsures good adhesion, including oil, acrylic and poster colorSuitable for absorbent dust- and grease-free substrates such as malt, wood,Multiplex, hardboard, cardboard and paperSuitable as a preparation for brickwork on alkaline and non-alkalineSubfloors like fresh concrete, stucco and brickStrongly absorbent substrates must first be treated with Amsterdam acrylic binderCan be dyed with acrylic paintCan be thinned with waterDrys within a few hours, after 24 hours can be painted over with oil paintStore above 10 ° C, keep frost-freeClean the material with waterAvailable in 1000 ml, 5 l and 10 l.
weight after priming: 310 g/m²
width: 2.10 m (plus edge)
medium-fine
primed with slightly absorbent universal primer
brown backside
100% cotton
suitable for oil, acrylic, tempera and gouache
price per running meter 10m roll
Content:
2.1 Quadrat Meter
(€6.17* / 1 Quadrat Meter)
Lascaux Gesso is an acrylic semicircular primer and gives a half-sucking, pure white and matt surface with good grip. Suitable for acrylic, oil, watercolor and tempera - tals, in particular glaze technology. semi-priming fast drying, elastic light and aging resistant excellent adhesion very concentrated and productive water-thinnable, can be dyed easy to sandApplication: for all absorbent substrates such as canvas, textiles, paper, cardboard, fiber boards, fiber cement, plastics and wood for acrylic, oil, watercolor and tempera painting.
profile: 2.0 x 6.5 cm
side length 25 - 400 cm
custom formats upon request
´sharp edge´ upon request
from 2 m 2-fold slit
only available on order, e.g. by e-mail
The K 2065 has a profile of 2.0 x 6.5 cm. We use seasoned and kiln-dried pine for the stretcher frame. The wood is finger-jointed to prevent the natural tendency of the wood to warp and, thanks to multiple gluing, is almost free of warping- a high-quality handcrafted product at an extraordinarily affordable price.The stretcher frame is available from a side length of 25 to 400 cm. We will be happy to cut the frame to your desired format for an additional charge of 5 euros per bar. Please note that the cross bars must also be cut to size.The stretcher frame has a round edge. If you wish a 'sharp edge', it is possible against a surcharge.In order to obtain a stretcher frame, you need two stretcher bars of the long side, two of the shorter side and optionally a middle piece or cross and wedges.The hard wood wedges necessary for wedging (2 pieces per bar and middle bar) are not included in the price. Please order for the stretcher bars and the cross braces https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/991/wedges-big-beech/keys-50pcs.?number=10939
If you require an additional bracing, please combine the frame with the cross bars K2065: https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/2342/stretcher-bar-k60?number=12239
The stretcher frame has a 1-fold slit from a side length of 50 cm up to a side length of 195 cm and a 2-fold slit from a side length of 200 cm.Advice on bracing:Under a side length of 1m no middle bars are needed. If one side length exceeds 1m, one middle bar of the shorter side length is sufficient.If both sides are more than 1m long, you need one bar per side length (a simple cross). If one side is more than 2m long, you need two middle pieces of the shorter side and one of the long side (single double cross). If both sides are more than 2m long, the stretcher bars are each double slotted, so you need two middle bars per side length (double double cross). Please select the appropriate number of middle bars.
Content:
0.25 Laufende(r) Meter
(€3.64* / 1 Laufende(r) Meter)
Product information "Vallejo Acrylic Studio"A limited range of quality acrylic paints for artists, meeting the highest standards for art paints and ideal for working in the studio, on large formats, murals and installations. Acrylic Studio contains the same resin as Acrylic Artist Color and many of the same pigments; the pigments for this range have been selected for their resistance, purity and color intensity, always with the aim of offering an excellent product at a moderate and consistent price. Acrylic Studio paints do not contain any fillers, so the colors have great strength and chromatic purity. They are opaque or transparent, depending on the type of pigment, and dry to a semi-matt finish. The 26 colors do not contain toxic pigments or heavy metal derivatives and do not generate waste products that could pollute the environment. The name and color index number of the pigments are indicated on the labels and in the color chart, allowing the artist to study mixtures and develop their own colors with complete control. The thick consistency of Acrylic Studio allows all techniques, allows the artist to mix the colors with all mediums and foreign materials and can also be easily diluted with water for more transparent applications. In the range we offer Medium Primal and Studio Gesso; Acrylic Studio is fully compatible with our auxiliary products and with Acrylic Artist Color as well as with all other high-quality acrylic paints for artists.
Linen weave is the simplest and certainly the oldest weave: here yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics.
For an double oil-primed canvas, a zinc white primer based on linseed oil is applied first. The canvas is air-dried and sanded, followed by a layer of linseed oil-based titanium white.
100% linen
Tripple oil primed
weight: 355 g/m²
width: 2.10 m (plus edge)
very fine texture
Belgian quality
price per running meter
10m roll
Content:
2.1 Quadrat Meter
(€52.71* / 1 Quadrat Meter)
PRODUCT AVAILABLE ONLY ON A SPECIAL ORDER.MINIMUM AMOUNT 20m.ORDERS PLEASE SUBMIT BY E-MAIL.
hand-primed
weight before priming: 340 g/m²
width: 1.60 m (plus edge)
medium-fine
very good quality
double primed with slightly absorbent universal primer
light back
100 % cotton
suitable for oil, acrylic, tempera and gouache
price per running meter 10m
Content:
1.6 Quadrat Meter
(€8.10* / 1 Quadrat Meter)
PREMIUM QUALITY CANVAS
A canvas that can capture every brush stroke is perhaps the most valued by any artist. These artist grade canvases are an apt choise for the discerning professional. Made from 100 % cotton and triple primed with acrylic gesso with acid free sizing, you will delight in the subtle detail that will make your creations stand out. Stretched and back stapled over a heavy-duty kiln dried pine wood section, these canvases retain their original form for years and have been certified to be conforming to ASTM D-4236
100 % cotton - 350g/m²
triple primed with acrylic titanium gesso
acid free sizing
kiln dried stretcher bar
high density pine wood
easy for re-stretching
back stapled
suitable for oil & acrylic painting
Profil 19 x 38 mm
Raphaël 8404 artist's watercolor brush,fine tipwith a fine tipwith seamless silver ferrule short, black lacquered handlewith a red tip
for more precise strokes
made of Kolinsky red sable hair
Lascaux Varnishes/FixativFor the ideal finishing treatment of a work: acrylic varnishes increase resistance to the effects of weather, soiling andmechanical stress and make cleaning easier. They have good adhesive properties, are non-yellowing, lightfast andage-resistant. A final varnish can harmonize surface sheen in a painting.Lascaux Acrylic TransparentVarnish 1 gloss, 2 matt and3 semi glossCompositionPure acrylic resin dispersionProperties- water-thinnable- dries to waterproof and clear film- of superior transparency- excellent adhesion, abrasion resistance andhardness- lightfast and age resistantApplications- Various applications on stable surfaces:- protective varnish for acrylic paintings- protective varnish for digital print- painting medium for acrylic systems- increases the hardness of Lascaux Artist andStudio artists’ acrylic colours- coating of wood, plywood and hardboard- transparent wood varnish for interiorsDirectionsProtective varnish for acrylic paintings: Provides excellentprotection against weathering, dirt and mechanicaldamage. For use as a final varnish on painted objects,dilute Lascaux Acrylic Transparent Varnish with about25% of water and apply by spray gun or soft brush.Leave to dry for 4-6 hours, then spray or brush on asecond coat.The 1, 2 and 3 varieties can be mixed, allowing you toadjust the degree of gloss as desired. A final coathelps to bring out the intensity of the colours. TransparentVarnish 3 increases the resistance withoutaltering the sheen of Lascaux acrylic colours.Protective varnish for digital print: For best applicationand to obtain an even coat the varnish is sprayed on. Itcan also be rolled, whereby attention has to be paid toavoid film irritations like air podcets.Painting medium for acrylic systems: Add as required.Increases the hardness of Lascaux Artist and Studioartists’ acrylic colours: Mixed with Lascaux acrylicpaints, the varnish provides improved grip and hardnessand enhances the paints’ abrasion resistance.Add 25-50% Lascaux Transparent Varnish to the paint.Coating of wood, plywood and hardboard (chipboard,etc.): Mix 1 part Lascaux Transparent Varnish with 1 to3 part water. Apply one good coat to seal the surface.When the varnish is dry, carefully sand off the raisedfibres.Transparent wood varnish for interiors: Mix 1 partLascaux Transparent Varnish with 1 to 3 part water.Apply one good coat to seal the surface. When thevarnish is dry, carefully sand off the raised fibres. Thencoat the surface with a mixture of 4 parts LascauxTransparent Varnish and 1 part water.Special NotesBefore applying the varnish the paint layer should bethoroughly dry. Depending on the thickness of thelayer, the temperature and humidity, this can take 1-2days or longer if the layers is thicker.The working temperature, given an average humidity of40-60 %, should be above +8°C. When the humidity(over approx. 75%) is higher, the varnish should not beused below the temperature of 15°C, as problems inthe film building might occur otherwise. This applies forboth, the temperature during the application as well asfor the first hours of drying.The film has to be thoroughly dry before exposing it tothe influence of weather or mechanical stress. Dependingon the thickness of the layers, the temperature andthe humidity this can be between 1-2 weeks, withthicker layers even longer.CoverageApprox 40-70 ml/m2 per coat, depending on the supportand application.NotesPhysiologically and toxicologically safe in conventionalusage. USA: conforms to ASTM D-4236. “Non toxic”.SizesJars of 85 ml, 250 ml, 1 l and plastic buckets of 5 l
Lascaux Varnishes/FixativFor the ideal finishing treatment of a work: acrylic varnishes increase resistance to the effects of weather, soiling andmechanical stress and make cleaning easier. They have good adhesive properties, are non-yellowing, lightfast andage-resistant. A final varnish can harmonize surface sheen in a painting.Lascaux Acrylic TransparentVarnish 1 gloss, 2 matt and3 semi glossCompositionPure acrylic resin dispersionProperties- water-thinnable- dries to waterproof and clear film- of superior transparency- excellent adhesion, abrasion resistance andhardness- lightfast and age resistantApplications- Various applications on stable surfaces:- protective varnish for acrylic paintings- protective varnish for digital print- painting medium for acrylic systems- increases the hardness of Lascaux Artist andStudio artists’ acrylic colours- coating of wood, plywood and hardboard- transparent wood varnish for interiorsDirectionsProtective varnish for acrylic paintings: Provides excellentprotection against weathering, dirt and mechanicaldamage. For use as a final varnish on painted objects,dilute Lascaux Acrylic Transparent Varnish with about25% of water and apply by spray gun or soft brush.Leave to dry for 4-6 hours, then spray or brush on asecond coat.The 1, 2 and 3 varieties can be mixed, allowing you toadjust the degree of gloss as desired. A final coathelps to bring out the intensity of the colours. TransparentVarnish 3 increases the resistance withoutaltering the sheen of Lascaux acrylic colours.Protective varnish for digital print: For best applicationand to obtain an even coat the varnish is sprayed on. Itcan also be rolled, whereby attention has to be paid toavoid film irritations like air podcets.Painting medium for acrylic systems: Add as required.Increases the hardness of Lascaux Artist and Studioartists’ acrylic colours: Mixed with Lascaux acrylicpaints, the varnish provides improved grip and hardnessand enhances the paints’ abrasion resistance.Add 25-50% Lascaux Transparent Varnish to the paint.Coating of wood, plywood and hardboard (chipboard,etc.): Mix 1 part Lascaux Transparent Varnish with 1 to3 part water. Apply one good coat to seal the surface.When the varnish is dry, carefully sand off the raisedfibres.Transparent wood varnish for interiors: Mix 1 partLascaux Transparent Varnish with 1 to 3 part water.Apply one good coat to seal the surface. When thevarnish is dry, carefully sand off the raised fibres. Thencoat the surface with a mixture of 4 parts LascauxTransparent Varnish and 1 part water.Special NotesBefore applying the varnish the paint layer should bethoroughly dry. Depending on the thickness of thelayer, the temperature and humidity, this can take 1-2days or longer if the layers is thicker.The working temperature, given an average humidity of40-60 %, should be above +8°C. When the humidity(over approx. 75%) is higher, the varnish should not beused below the temperature of 15°C, as problems inthe film building might occur otherwise. This applies forboth, the temperature during the application as well asfor the first hours of drying.The film has to be thoroughly dry before exposing it tothe influence of weather or mechanical stress. Dependingon the thickness of the layers, the temperature andthe humidity this can be between 1-2 weeks, withthicker layers even longer.CoverageApprox 40-70 ml/m2 per coat, depending on the supportand application.NotesPhysiologically and toxicologically safe in conventionalusage. USA: conforms to ASTM D-4236. “Non toxic”.SizesJars of 85 ml, 250 ml, 1 l and plastic buckets of 5 l
Lascaux Primer is an excellent adhesive primer, which forms a matte, pure-white and only weakly absorbent surface. Suitable for all absorbent substrates. slightly absorbent fast drying, elastic light and aging resistant excellent adhesion very concentrated and productive water-thinnable, can be dyedApplication: for all absorbent substrates such as canvas, textiles, paper, cardboard, fiber boards, fiber cement, plastics and wood for acrylic, oil and tempering.
Product information "Pigma Micron Fineliners Set of 6" A selection of the 6 most popular black Pigma Micron pens in different tip widths:1 x 005 (0.2mm), 1 x 01 (0.25mm), 1 x 02 (0.30mm), 1 x 03 (0.35mm), 1 x 05 (0.45mm), 1 x 08 (0.50mm)The PIGMA Micron is a waterproof, durable fineliner and a faithful companion of designers, scientists, archivists, manga artists, comic artists, illustrators and hobby artists. It is also the recommended pen for Zentangle drawing. Thanks to the fine tip, this pen is ideal for both technical and artistic drawings.The einziPigma Micron Fineliners set of 6 - black Pigma Micron pens in different tip widths: 1 x 005 (0.2 mm), 1 x 01 (0.25 mm), 1 x 02 (0.30 mm), 1 x 03 ( 0.35mm), 1 x 05 (0.45mm), 1 x 08 (0.50mm)Grey Sakura Pigma™ ink does not bleed through paper, is permanent, waterproof, fade resistant, quick drying and pH neutral .
- dries to a waterproof matt film- modifies the gloss of Lascaux acrylic colours- due to its relatively large particle size, this mediumis not suitable as a colourless matt varnish: thecoarse-grained dry surface is not scratch-resistant,and the colour appears duller- ideal for glazes on concrete (pur or diluted with upto max. 10% water) and can be tinted with acryliccolours as desired (approx. 5-10%)- may be used alone as colourless sizing or primerfor canvas and paper
The Transparent Lacquer 2-UV is a water-thinnable acrylic lacquer that dries to a clear and matte film. Contains UV stabilizers for the best protection in outdoor applications.colorless, waterproof, high transparency protects against UV radiation very high binder content flexible film weather resistant and resistant to aging light and not yellowing good adhesion, abrasion resistance and hardness.
Sennelier Abstract Liners are highly pigmented acrylic paints designed specifically for detailed lines and fine work. Featuring a convenient, flexible tip, they allow for precise application, making them perfect for illustrations, calligraphy, and decorative accents. Each tube contains 27ml of acrylic paint that adheres well to paper, canvas, and various other surfaces. The colours are available in vibrant, intense shades that ensure long-lasting, durable results.Features:High pigmentation for vibrant coloursPrecise application thanks to flexible tipVersatile use: Ideal for line work, illustration, and calligraphyQuick-drying and long-lasting27ml per tubePerfect for professional artists and hobbyists alike!
A convenient way to get to know our fabrics, test our quality and find your favorite textile.Contents:
The bundle primed cotton contains approx. 10 samples, height 20 cm - 60 cm, diameter approx. 20 cm.
The package unprimed cotton contains about 5 samples, dimension (WHT) 30cm x 20cm x 30cm.
The bundle of unprimed linen contains approx. 5 samples, height 20 cm - 60 cm, diameter approx. 20 cm.
The bundle of primed linen contains approx. 10 samples, height 20 cm - 60 cm, diameter approx. 20 cm.
The Fabriano Artistico paper is mould made with 100% cotton, chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even it scratched. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs. Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.
The Transparent Lacquer 3-UV is a water-thinnable acrylic lacquer that dries to a glass-clear, silk-luster and scratch-resistant film. Contains UV stabilizers for the best protection in outdoor applications.colorless, waterproof, high transparency protects against UV radiation very high binder content flexible film weather resistant and resistant to aging light and not yellowing good adhesion, abrasion resistance and hardness.
P302 + P352: IF ON SKIN: Wash with plenty of water/.
P333 + P313: If skin irritation or rash occurs: Get medical advice/attention.
P363: Wash contaminated clothing before reuse.
P501: Dispose of contents/container to .
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