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M. Graham and Co. Artists Oil Paints
Graham Oil: Warm White (Unbleached Titanium) #198 PG1 | Size: 37 ml
KünstlerölfarbeDas in der Künstlerölfarbe von M. Graham verwendete Walnussöl trocknet zu einem klaren Film, der nicht vergilbt und die wahre Farbe der Pigmente durchscheinen lässt.In der Tradition der Meister wird die Künstlerölfarbe von M. Graham aufgrund ihrer Brillanz, Klarheit, Textur und Beständigkeit gegen Ausbleichen und Vergilben aus reinem Walnussöl hergestellt. Wir arbeiten in kleinen Mengen und stellen Ölfarben her, die den Wurzeln der Renaissance-Malerei treu bleiben: zart rieselfähig, lösungsmittelfrei und ohne Füllstoffe oder Zusatzstoffe. Dank der außergewöhnlich hohen Pigmentkonzentration in den Ölfarben von M. Graham-Künstlern wird sich Ihre Arbeit auf natürliche Weise lebendiger und lebendiger anfühlen und über Jahre hinweg von satten, glänzenden Farben durchdrungen sein.

Content: 0.037 Piece (€324.32* / 1 Piece)

€12.00*
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Royal Talens Van Gogh oil paints
Lance: “I have been painting since I was a child. My mother is an artist and encouraged me to paint, about which I am still very grateful. Due to my busy life my painting had to take a back seat, but when I was 40 and achieved everything that I had wanted to achieve, I decided to focus completely on painting. I wanted to share my art, my vision, with the world. Just enjoy myself painting When I started I deliberately did not give myself any objectives, apart from working hard, learning a lot and not worrying what others may think. I just want to enjoy myself painting! My uniqueness My uniqueness comes from simply being myself. I use those colours that arise within me and let the palette knife move, following my emotions at the time. I let my thoughts go where they want to. I always say the finished painting is already on that blank canvas, it just uses my hands and eyes to reveal itself to the world. It has its own life!”PDF colour chart

Content: 0.06 Piece (€99.83* / 1 Piece)

€5.99* €7.49* (20.03% saved)
Schmincke Norma Professional
Schmincke Norma color: Titanium white ##114 PG1 | Size: 35 ml
Norma® Professional   Finest artists' oil colours, series 11 84 shades including unique special colours  Use of renewable raw materials, e.g. pure, high-quality plant oils  Only highest lightfastness (4 + 5 stars)  Even drying and balanced consistency within the colours  Maximum spreading rate by using the highest concentration of pigments   Available in following sizes: 84 colours in 35 ml tubes, 48 colours in 120 ml tubes and 12 colours in 200 ml tubes, 5 litre buckets on request   Norma® Professional is a modern, environmentally-friendly formulated oil colour of the finest quality for professional and demanding oil painting. The balanced range of colours consists of 84 brilliant, traditional and modern colours including 27 high-quality transparent colours and several unique special colours. These include not only highly lightfast and opaque chrome yellow shades, but also special shades such as poppy red, cobalt turquoise, agate brown, Schweinfurt green hue, neutral black, gold, silver, bronze and others. All 84 colours have maximum lightfastness (4-5 stars).   The ecologically sound formulation includes the use of many natural, sustainable raw materials. High-quality, pure plant oil combinations ensure good adhesion, optimum pigment uptake and decreased tendency for yellowing. The best classical and latest technical pigments used in the highest concentration guarantee a maximum spreading rate and an exceptional luminosity and brilliance of all colours. Careful preparation, traditionally ground on three rolling mills, aged for three months before bottling, ensures that the raw materials are developed optimally in the pure oil paint.   All colours have a balanced, creamy-buttery consistency and therefore have the best painting features and optimum working traces. In addition, optimisation of the formulation produces a shorter, even drying of all colours, which guarantees brilliant and highly durable surfaces.   Norma® Professional has unlimited ability to mix and combine with all Schmincke oil colours (MUSSINI®, AKADEMIE® Oil color and College® Oil) and all oil mediums. 

Content: 0.035 Piece (€211.14* / 1 Piece)

Variants from €6.05*
€7.39*
Daler and Rowney Georgian Oil
Daler & Rowney: Naples yellow #635 | Size: 225 ml
Georgian Oil Die im Jahr 1783 in London ansässigen und nach George Rowney, dem Gründer des Unternehmens, benannten Georgian Oil Colors von Daler-Rowney bereichern den zeitgenössischen künstlerischen Ausdruck durch moderne und brillante Farben, optimale Pigmentbeladung und ein sehr angenehmes Gefühl unter Pinsel und Messer. Georgian Oil Colors werden traditionell in England hergestellt und dreifach gemahlen und bieten Farbkonsistenz von nass bis trocken sowie eine gleichmäßige Leistung und Oberfläche bei allen Farben. Aufgrund ihrer sorgfältigen Formulierung erfordern georgische Ölfarben im Allgemeinen nur sehr begrenzte Mengen an Medien und können daher frei direkt aus der Tube verwendet werden, sodass sich der Künstler auf die spontane Kreativität konzentrieren kann.• Erhältlich in 54 Farben • Zu den hohen Pigmentbelastungen zählen die traditionellen Pigmente Cadmium und Kobalt • Außergewöhnlich dauerhafte und brillante Farben • Die Farben sind untereinander mischbar und von nass bis trocken gleichmäßig • Oberflächentrocken in 4 bis 5 Tagen • 24 Einzelpigmentfarben • 31 deckende oder halbdeckende Farben • Alle Farben werden als Permanent**** oder Normal Permanent*** eingestuft. • Glatte und butterartige Konsistenz, ideal zum Experimentieren mit verschiedenen Pinsel- und Messertechniken • Einfaches Mischen mit Medien bietet endlose kreative Möglichkeiten • Traditionell hergestellt und dreifach gemahlen in England

Content: 0.225 Piece (€49.78* / 1 Piece)

€11.20*
Lukas Studio Oil 200 ml
Lukas Studio Color: Titanweiss #208
LUKAS STUDIO, die moderne Profi-Qualität mit optimiertem Preis-Leistungs-Verhältnis, enthält ausnahmslos farblich brillante und maltechnisch sichere Pigmente mit hoher Lichtechtheit in hoher Konzentration. Eine Spur (0,5 - 1,5%) von feinstem gebleichten Bienenwachs als Bestandteil der Konsistenzmittel gibt der Farbe die vom Maler gewünschte buttrig, kurze Konsistenz und macht den Farbfilm für den Restaurator weniger spröde. Die Bindemittel sind, wie in allen LUKAS Ölfarbensortimenten, ausschließlich reine, pflanzliche Lein- und Sonnenblumenöle in besonderer Qualität.

Content: 0.2 Piece (€54.95* / 1 Piece)

€10.99*
Royal Talens Cobra Artist Water Mixable Oil Colour
Farbe Cobra: Titanium white #105 PG1 | Size: 40 ml
Artist water mixable oil colour Cobra Artist is an Artists' quality water mixable oil paint with an exceptionally high degree of pigmentation. Only the very best pigments and oils are used. During the grinding process the paint is ground on the triple roller mill until it reaches the fineness of an Artists' quality. The range consists of 70 transparent, semi-transparent, semi-opaque and opaque colours. They all have the highest degree of lightfastness (+++) and under museum conditions remain unchanged for at least 100 years. The range includes 32 mono-pigmented colours. There are also ten colours based on highly exclusive pigments - such as the cadmiums, cobalts and chromium oxides - as well as an exceptionally transparent oxide red or yellow. "I use Cobra, because white spirit is very bad for you and with Cobra you only need water. You don’t have to worry about anything else. And it works just like oil paint. Merel Jansen, artist."PDF colour chart

Content: 0.04 Piece (€169.75* / 1 Piece)

€6.79*
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Gamblin Artist Grade Oil Colors
Gamblin Artist Oil: Titanium white #1 | Size: 37 ml
The Gamblin Color PaletteRobert Gamblin organized our palette into Mineral and Modern color groupings to help artists easily choose a palette of colorsthat best matches their artistic intent. Our colors are also grouped by eras of pigment history: Classical, Impressionist, and 20thCentury. Throughout the history of art, paintings have always been a reflection of the materials that were available to artists.Mineral ColorsThe Mineral side of the color chart includes those colors made from inorganic pigments, that is, metal ores dug from the earth.For many of these pigments, their color is developed in ovens at very high heat. At the bottom of the Mineral side of the chartis the group of earth colors that made up the heart of painters’ palettes during the Classical Era. This group of pigments, whichhas its origins in cave painting and antiquity, was central to the oil painter’s palette from the Renaissance through the ClassicalEra. From this limited range of earth colors, painters depicted form by drawing large contrasts between the darkest darks and thelightest lights, creating the chiaroscuro (literally, “light/dark”) effect so characteristic of classical paintings.During the Industrial Revolution, a whole new array of inorganic pigments was developed from compounds of minerals, such ascobalt, cadmium and manganese. Their intense mass tones complemented earth colors on painters’ palettes and replaced paintsmade from expensive semi-precious stones, fugitive colors, or highly toxic compounds. This full spectrum of pigments, packagedfor the first time as oil colors in tubes, expressed the Impressionists’ interest in pure color.Mineral Colors grey down when mixed with white, which is perfect for capturing the colors of the natural world. Mineral-basedpigments have larger pigment sizes and lower tinting strengths than modern colors. They are leaner and naturally more matte.Mineral colors are mostly opaque. Ultramarine Blue and Viridian, which are transparent, are exceptions. Mineral colors have aLightfastness rating of Excellent (I).Modern ColorsModern organic pigments are carbon-based. Most modern colors, including Quinacridone, Phthalo, and Perylene, aretransparent. Hansa and Napthol are semi-transparent. Because of their small particle sizes and higher oil absorption (fatter),modern pigments make colors of very high tinting strengths that are naturally more glossy.When mixed with white, modern colors make incredibly intense tints. They stay high key in mixtures unless a complement isadded. Rather than shifting from light to dark, a family of modern colors shifts from warm (Phthalo Emerald) to cool (PhthaloGreen). Modern colors have a Lightfastness rating of Excellent (I), with the exception of Hansa Yellow Light and Naptholpigments, which are rated as Very Good (II). Each tube of artist’s grade oil color is marked with a Lightfastness rating.Mineral and Modern colors are completely compatible with each other. Painters can use the characteristics of each color groupdescribed above to create their own personalized color palette.RadiantsGamblin Radiant Colors offer painters eight intense tints – mixtures of pure color and white – at Value 7 on the Munsell®System. Using these Radiant tints, painters can build high key underpaintings and then glaze to achieve optical effects of lightand shade.White, Grey & BlackThe most important color choice we make is the white we bring to our work. There are nine different Gamblin Whites to giveartists a range of working properties, temperatures, drying rates and opacity. Please refer to our Studio Notes Newsletter, Gettingthe White Right, on our website for more information on selecting the right white for your work.Gamblin Portland Greys (Light, Medium, and Deep) can mute the high key tints of the modern colors to make more naturallookingmixtures. Named for the city where they are made and its characteristic grey skies, the Portland Greys are formulatedfor painters who work with value. Our range of the neutral Portland Greys is expanded with Portland Warm Grey and PortlandCool Grey. A triad of muted primary colors is created when Titanium Buff is added to these. This gives painters the ability tocomplete a range of “colored greys.”Gamblin Chromatic Black gives painters a neutral, tinting black with energy that doesn’t muddy and flatten the colors the waytraditional blacks do. Because Chromatic Black is made from two colors that are perfect complements, Quinacridone Red andPhthalo Emerald, it gives painters a dead-center black with life to it and a clean transparency.

Content: 0.037 Piece (€318.92* / 1 Piece)

€11.80*
Old Holland Classic Oilcolours
Old Holland Colours: Titanium white #A1 | Size: 40 ml
Oil paint has a special place at Old Holland. It is the first product we manufactured.Since the early days of oils, artists have made high demands regarding the durability of their work. In order to meet these demands for optimum durability, Old Holland still produces all its classic oil paints according to traditional formulas (the durability of which has been demonstrated over the course of time), supplemented by the latest contemporary insights. The choice of pigments is a unique mix of the best traditional colours and the best pigments derived from the latest technological developments.   In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.   Each tube of Old Holland oil paint has a colour strip above the label, painted with the colour from the tube in question. We are convinced that this is the only honest method to show the colour in the tube. Old Holland is one of the only company that still uses this method.

Content: 0.04 Piece (€262.50* / 1 Piece)

€10.50*
Sennelier Oil Stick
Farbe Sennelier Oil Stick: Titanweiss #116 PG1 | Size: 38 ml
This material allows oil painting to be approached differently. It extends the artist's freedom of expression, allowing a greater degree of spontaneity, of "expressionism". The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation. Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved. Solid artists' quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.

Content: 0.038 Piece (€200.00* / 1 Piece)

€7.60*
Kama Pigments Oil Sticks
Kama Oil Sticks: Neutral PG1 | Size: 15 ml
  Oil Sticks are an alternative form of oil paint. They are made by hand, with the finest pigments and natural waxes, in Montréal by KAMA PIGMENTS   The Kama Pigments Oil Sticks basically are an artist’s oil paint in stick form.   They can be applied to a canvas (or any other support that is appropriate for oil paint) quickly, easily and dynamically to create exciting, expressive marks that are not possible with ordinary oil paint.   The colors are amazingly bold, and Oil Sticks can be used without solvents or a palette. They can be mixed and blended directly on the support with a brush or neutral Oil Stick, and can be used to create transparent glazes, thick impastos and anything in between.         Kama Pigments Oil Sticks offer the artist a medium that combines the vividness, depth and consistency of oil paints with the natural ease of application that is typical of pastels and charcoal.   Handmade with natural waxes, walnut oil and no solvent. Compatible with oil paints and painting mediums, encaustics and for final coat on acrylics.     Handmade oil sticks from Canada Contains pure pigments, walnut oil and natural waxes. Easy to use just like pastels or charcoal All kinds of rigid supports, ideally coated with gesso or properly sized (MDF, plywood, masonite, etc.) On sized paper (treated with a coat of liquid glue, medium or varnish to prevent the oil from penetrating)   Kama uses authentic pigments known for their exceptional characteristics. The pigment contents and batch number of the paints are clearly written on every stick.     We at Peter’s Art are the first to offer Kama Pigments in Germany and are selling the sticks in 60ml and 15ml.    

Content: 0.015 Piece (€319.33* / 1 Piece)

€4.79*
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R&F Pigment Sticks
Pigment Sticks® R&F Pigment Sticks sind unsere einzigartige Version eines Ölstifts, der Ihre Malweise verändern wird. Sie sind reich pigmentiert und haben eine lippenstiftweiche Konsistenz, die ihnen die gleiche Fließfähigkeit, Subtilität und Haltbarkeit verleiht wie herkömmliche Ölfarben. Ihnen ist gerade genug natürliches Wachs zugesetzt, um eine solide Stiftform beizubehalten. Mit Pigment Sticks können Sie auf den Pinsel verzichten und so direkter auf Ihrer Oberfläche arbeiten. Ihre Unmittelbarkeit und Fähigkeit zur Markierung bieten eine endlose Auswahl an Optionen.

Content: 0.038 Piece (€499.74* / 1 Piece)

From €11.90*
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Kama Pigments Artist's Oil Paint
Kama Oil Colour: Mars Black #060 PG1 | Size: 37 ml
  Handmade pigments from Canada. From artist to artist. At Kama Pigments they understand what you, the artist, needs for your paintings.   Kama Pigments only uses the purest light-fast pigments. They are ground in small batches to ensure quality, and meticulously blended with walnut oil a semi siccative oil to prevent yellowing.   Additionally, they continue to make their paints without any inert pigments or fillers in order to produce the purest colors possible. You’ll recognize the vividness of the paints and their flawless consistency.   Trying the paints for yourself will convince you that, when it comes to the quality of a painter’s materials, there are no worthwhile compromises.   The line of oil paint already consists of 120 colors, which includes 71 mono-pigmented colours and 49 chromatic arrangements.   The majority of the chromatic arrangements (mixed pigments) are unique to Kama, and certain of these have been specially conceived in collaboration with a particular artist. The 71 pure colours offer an endless possibility of shades.   Kama uses authentic pigments known for their exceptional characteristics. The pigment contents and batch number of the paints are clearly written on every tube.   We at Peter’s Art are the first to offer Kama Pigments in Germany. We are selling the oil paints in the tube size 37ml.    

Content: 0.037 Piece (€240.54* / 1 Piece)

Variants from €8.00*
€8.90*
Holbein Oil Colours 40ml
Holbein Oil Colours: Quinacridone Opera H327
Holbein Artist Oil ist glatt, hochpigmentiert und die Farbpalette umfasst sowohl traditionelle Farben als auch moderne Pigmente. Alle Farben werden bis zu 10 Mal gemahlen, um eine einheitliche Viskosität über die gesamte Palette von 167 Farben zu erreichen. Für den Künstler stellt diese gleichmäßige Viskosität sicher, dass jede Farbe auf die gleiche lebhafte und glatte Art und Weise wirkt.

Content: 0.04 Piece (€550.00* / 1 Piece)

Variants from €11.90*
€22.00*
Williamsburg Handmade Oil Paints
Williamsburg color: Unbleached titanium pale #0191 PG1 | Size: 37 ml
With Williamsburg Handmade Oil Colors, the handmade quality of the paint respects the Centuries of Tradition upon which all quality professional paints are made. But at the same time, we are a modern company, born from the melting pot of today’s creative world-class. Our reputation was not inherited; it was built by working face to face with artists. We keep our promises, never hide behind tradition and hold fast to whatever makes beautiful color. Williamsburg is a US brand, manufactured in New Berlin, New York. As a professional oil paint, it stands competitively alongside established European brands. The Williamsburg colors are incredibly pigment rich, with a dense yet buttery texture; each color has its own finish and feel creating not only a palette of color, but also texture. Williamsburg has an extensive range of Cobalt and Cadmium colors, as well as has a number of unique colors, particularly within the wide range of earth colors. Examples include: The Native Italian Earth Colors, Courbet Green, Persian Rose, Cyprus Orange, Montserrat Orange, Stil de Grain and Turkey Umber.

Content: 0.037 Piece (€253.78* / 1 Piece)

€9.39*
Schmincke Mussini Oil
Schmincke Mussini colours: Zinkweiß #102 PG2 | Size: 35 ml
MUSSINI®   Finest artists’ resin-oil colours (Series 10)  Globally unique artists’ natural resin-oil colours  Based on old masters’ formulations  101 colours + 7 gold shades with maximum brilliance and purity of which 64 single-pigment colours  A wide variety of single-pigment colours  42 exquisite translucent colours  Premium artists’ pigments in highest concentrations  Maximum possible lightfastness  Balanced drying process  Tension-free and durable colour-layers  Available in following sizes: 108 colours in 35 ml tubes, 32 colours in 150 ml tubes    MUSSINI® - unique in the world!  The globally unique artists’ natural resin-oil colours MUSSINI® arise from the tradition of Italian painting schools and were named after Professor Cesare Mussini, who worked at the Academy of Fine Arts in Florence. The special feature of these finest professional artists’ colours is primarily due to the basic knowledge of the old masters, which has been retained until today, of combining selected artists' oil with natural resin.   The range  The MUSSINI® range comprises a total of 101 colours + 7 gold shades; 64 of these are single-pigment colours that guarantee brilliant mixing results. In addition, the range has 42 exquisite, transparent and semi-transparent colours. Exceptional dark values, such as atrament, dove grey, sfumato, but also delicacies such as cobalt turquoise, Byzantine blue, Caesar purple, Florentine red, yellowish-green Ural or Mediaeval yellow represent the unique fascination of MUSSINI®.   Finest pigments, oils and resins  The high luminosity and the best lightfastness of all colours and the pleasantly pasty consistency are highly valued by oil painters all over the world. For MUSSINI®, only the best traditional and some newly developed artists' pigments are used in maximum concentration. The individual compositions of the pigments with traditional binders such as linseed oil, safflower oil and sunflower oil and parts of the best natural resin solutions (damar) provide excellent light refraction properties, increased luminosity and particularly durable colour layers.  The unique drying properties  The excellent drying properties of MUSSINI® resin-oil colours come from the fact that the oil parts of the colours increase in volume by absorbing oxygen, while the solvents of the natural resin solution evaporate, thus ensuring a shrinkage in volume. These balancing processes create tension-free and even drying of the colour layers and thus guarantee the longevity of the painting.      MUSSINI® has unlimited ability to mix and combine with all Schmincke oil colours (Norma® Professional, AKADEMIE ® Öl color and College® Oil) and all oil mediums.

Content: 0.035 Piece (€380.00* / 1 Piece)

Variants from €7.91*
€13.30*
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Gamblin 1980 Oil Colors
Gamblin 1980: Cadmium Yellow Light PG3 | Size: 37 ml
1980 Oil Colors True color. Real value. Die Ölfarben von Gamblin 1980 werden mit der gleichen Hingabe und den gleichen reinen Pigmenten hergestellt wie unsere Künstleröle. Darüber hinaus verwenden wir den gleichen Prozess des Mischens, Mahlens, Abfüllens und Handetikettierens. Um die Kosten für Ölfarben zu senken, verwenden einige Hersteller Gele und Wachse, um die Farben zu verfestigen und herkömmliche Pigmente durch kostengünstigere zu ersetzen. Unser Ansatz ist anders. Die Farben von 1980 bestehen aus reinen Pigmenten, feinstem raffiniertem Leinöl und Marmorstaub (Kalziumcarbonat). Mit diesen drei Zutaten wurden seit Beginn der Ölmalerei erschwinglichere Farben hergestellt.Mit 1980-Farben erleben Künstler echte Farben, ohne homogene Textur oder trübe Farbmischungen. Unser Ansatz, sowohl traditionelle Rohstoffe als auch Verfahren zu verwenden, stellt sicher, dass Künstler die üppigen Verarbeitungseigenschaften erleben, die sie von ihren Ölfarben erwarten. Click here to download our 1980 Color Chart.

Content: 0.037 Piece (€297.30* / 1 Piece)

Variants from €7.29*
€11.00*
Holbein Aqua DUO Water Soluble Oil Colors 40ml
Holbein DUO: Alizarin Crimson DU201 PGB
Holbein DUO Aqua-Ölfarben Duo Aqua Oils wurden 1999 von Holbein entwickelt, um die gleiche hohe Pigmentqualität und die gleichen Archivierungseigenschaften wie die Künstleröllinie von Holbein zu bieten und gleichzeitig eine Reinigung mit Seife und Wasser zu ermöglichen. Sie zeichnen sich durch satte Farbtöne, hohe Farbsättigung und hervorragende Lichtechtheit aus, die denen herkömmlicher Öle entspricht Ölfarbe und hervorragende Arbeitseigenschaften. Holbein nennt ausdrücklich 17 Farben als „Elite“-Farben, die Schwermetallpigmente wie Chinacridone, Cadmium und Kobalt enthalten. DUO bietet 100 hochpigmentierte Künstlerfarben, suspendiert in einem wasserlöslichen, kaltgepressten Leinöl. DUO ist mit allen Medien kompatibel, einschließlich traditioneller Ölfarben und -medien, Aquarell, Gouache, Acryla-Gouache und Acryl. DUO ist ein hervorragendes Lehrmittel und eine hervorragende Drucktinte..

Content: 0.04 Piece (€317.50* / 1 Piece)

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€12.70*
Gamblin Torrit Grey Sample
If you took all the pigments in the color spectrum and mixed them together, what color would you make? Every spring, Gamblin Artists Colors collects a wealth of pigments from our Torit® Air Filtration system. We filter the air around the areas where we handle dry pigments so that our workers are not exposed to pigment dust. Rather than sending any of our high quality, expensive pigments into the landfill, Gamblin paint makers recycle them into Gamblin Torrit Grey.   The mix of pigments is different every year, so Torrit Grey is always unique and will never be repeated. Torrit Grey tends to have a greenish tinge because of the great strength of the Phthalo Green pigment, which is a dark bluish green. Torrit Grey varies from a medium dove grey to a dark earthy grey. Our Torrit Grey store promotion, which runs each spring in celebration of Earth Day, not only recycles pigment dust into paint but focuses artists on the importance of recycling and studio and environmental safety. “Pigment dust should not go into the earth, water or landfill, but into paint,” says Robert Gamblin.

€2.99*
Holbein Oil Colours 20ml
Holbein Oil Colours: Alizarin Crimson H023 PGB
Holbein Künstler ÖlfarbenHolbein-Ölfarbe ist eine Künstler-Ölfarbenserie von Weltklasse, die die hochwertigsten Pigmente verwendet und nach den höchsten Standards der Qualitätskontrolle in der Industrie hergestellt wird.Erhältlich in 145 offenen Lagerfarben in 20ml-Tuben und 11 transparenten Glasurfarben in 20ml-Tuben. Holbein Artist Oil Color ist dem Munsell-Farbstandard für Farbton, Wert und Chroma angepasst.Holbein Artist Oil ist glatt, hochpigmentiert und die Farbpalette umfasst sowohl traditionelle Farben als auch moderne Pigmente. Alle Farben werden bis zu 10 Mal gemahlen, um eine einheitliche Viskosität über die gesamte Palette von 167 Farben zu erreichen. Für den Künstler stellt diese gleichmäßige Viskosität sicher, dass jede Farbe auf die gleiche lebhafte und glatte Art und Weise wirkt.

Content: 0.02 Piece (€510.00* / 1 Piece)

Variants from €6.90*
€10.20*
Holbein Artist Oil Color WHITES
Holbein Artist Oil WHITES: Permanent White SF/W 10ml
Der erfolgreiche Künstler weiß, dass von allen verwendeten Farben die Qualität von Weiß entscheidend ist. 4 bis 5 mal grundiert, wird die Holbein-Überlegenheit für den Benutzer offensichtlich. Es gibt sechs Gemälde Weiß und eines unter Malerei/Grundweiß, die alle hochprozentige Pigmentfarben sind, und zwar: Titanweiß (Titanium White). Permanent Weiß SF (Superfein) (Permanent White SF (Super Fine)), Zinkweiß (Zinc White), Silber (Flocke/Blei) weiß (Silver (Flake/Lead) white), Keramikweiß (Ceramic White) und schnell trocknendes Weiß (Quick Drying White) (ein Unterlack weiß), alles in Mohnöl. Preiswertes Permanent White EX (Extrafein) in Distelöl.   Titanweiß Das beliebteste Weiß, Titanweiß, ist unter den meisten normalen Bedingungen nicht reaktiv. Es hat eine höhere Deckkraft als Blei oder Zink, neigt aber kurzfristig zu einer Vergilbung. Es trocknet langsamer als Blei, ist aber schneller als Zink. Es lässt sich gut verarbeiten und mischen, und seine Oberflächeneigenschaften können durch eine Mischung mit Zinkoxid verstärkt werden, was auch dazu beiträgt, die manchmal zu intensive Färbekraft des Titanpigments zu reduzieren.   Zinkoxid ist transparenter als Blei und seine Oberflächeneigenschaften sind spröder. Es hat nicht die gleichen Streicheigenschaften, ist langsamer trocknend und reagiert nicht auf Schwefel. Es ist weißer als Blei.   Keramikweiß Ein Weiß, entwickelt in einem gemeinsamen Forschungsprojekt der Holbein Werke GmbH und Japanese Government Industrial Laboratory. Keramikweiß wurde entwickelt, um die positivsten Eigenschaften anderer Malweißarten zu kombinieren. Es enthält Titan- und Strontiumpigmente, die nicht mit Schwefel reagieren. Keramikweiß bietet eine überlegene Oberflächenfestigkeit ohne Sprödigkeit, erhöht die Tönungs- und Deckkraft gegenüber Blei und Zink, bietet aber im Vergleich zu Titanweiß eine erhöhte Transparenz, Trockenzeit und optisches Weiß. Hervorragende Handhabungseigenschaften.   Silberweiß S (Flake/Lead White) Eines der ersten künstlich hergestellten Pigmente, weißes Blei mischt sich gut mit Öl zu einer glatten, gleichmäßigen Viskosität und hat eine ausgezeichnete Deckkraft und Pinselhandhabung. Es besitzt eine hohe Oberflächenfestigkeit, ist aber immer noch giftig und reagiert durch Verdunkelung, wenn es Schwefelverbindungen oder Dämpfen ausgesetzt ist. Letztere Reaktivität ist nicht allzu wichtig, da das verwendete Bleipigment in der Regel durch die Öle und Lacke, mit denen es gemischt wird, gut geschützt ist.   Permanentes Weiß Titanweiß mit den gleichen allgemeinen Handhabungseigenschaften, aber mit einem Bariumsulfatzusatz, der die Vergilbung bei der Frühtrocknung verhindert, gleichzeitig die Tönungskraft reduziert und die Transparenz erhöht. Erhältlich in zwei Varianten: Permanent White SF wird mit Mohnöl und Permanent White EX mit Safloröl hergestellt.   Schnelltrocknendes Weiß (Quick Drying White) Hergestellt aus Titanweiß, Kalziumkarbonat, Mohnöl, Alkydharz und Petroleumlösungsmittel. Dieses schnell trocknende Weiß eignet sich am besten als Grundierung mit außergewöhnlichen Eigenschaften in Bezug auf Oberflächenhaftung und Haltbarkeit. Vergilbungsfrei und rissfrei, trocknet dieses Weiß bei dünner Beschichtung (0,15 mm) in 4 bis 5 Stunden, während das Auftragen mit Pinsel, Messer, Rakel oder Spachtel in 2 mm bis 3 mm Strukturstärke ca. 24 Stunden dauert. Verdünnen der Farbe und reinigen der Werkzeuge ist mit Waschbenzin möglich.            

Content: 0.01 Piece (€295.00* / 1 Piece)

€2.95*
Schmincke Kremserweißton 120ml (11108)
Kremserweißton 11108 Die bleifreie Alternative für das giftige Original „Kremserweiß“   Warmer halbdeckender Weißton Bleifrei Wirkt trocknungsbeschleunigend Verbessert das Fließverhalten Geringeres Aufhellvermögen als Titanweiß       Ohne giftige Inhaltsstoffe „Kremserweißton“ ist eine hervorragende bleifreie Alternative für den Klassiker „Kremserweiß“. Statt des giftigen Pigments Bleiweiß enthält es eine Kombination aus den Pigmenten Titanweiß und Zinkweiß, angerieben in Safloröl - gewonnen aus dem Samen der Färberdistel -  von besonders reiner und heller Qualität. Kremserweißton zeigt einen leicht warmen Weißton. Es hat ein etwas geringeres Deckvermögen und Aufhellvermögen als Titanweiß. In Mischung mit anderen Ölfarben wirkt er – wie das Original – trocknungsbeschleunigend und filmstabilisierend. Mit Kremserweißton versetzte Malfarben erhalten zudem eine buttrige, geschmeidig zu vermalende Konsistenz. Kremserweißton ist in der 90 ml-Tube erhältlich und kann mit allen Schmincke Ölfarben und Hilfsmitteln kombiniert werden.

Content: 0.09 Piece (€284.44* / 1 Piece)

€25.60*
Gamblin FastMatte Alkyd Oil Colors
Gamblin FastMatte Oil Color: Alizarin Permanent PG3 | Size: 37 ml
With Gamblin FastMatte Alkyd Oil Colors, oil painters can take their paintings further, faster than ever before.37 ml Tube Thin layers will be touch-dry and ready to be painted over in 24-hours Colors dry to a matte surface with a beautiful tooth and deep, soft luster FastMatte colors are compatible with our painting mediums and traditional oil colors 24-Hour Dry Time The fast drying rate means painters can stay in the flow of their painting session longer with layering and mark-making possibilities beyond traditional oils. The consistent drying rate of FastMatte colors means painters can return to a dry surface the following day. Matte Surface The matte surface gives colors a deep, soft luster that speaks directly to the viewer. Never before have oil painters been able to create a consistent, matte surface with such ease. The matte surface gives dry paint layers a subtle tooth which beautifully grabs paint from the brush or knife. Compatibility FastMatte colors are compatible with Gamblin painting mediums and our traditional oil colors. For thinning FastMatte colors, we recommend a 50/50 mixture of Galkyd and Gamsol. This mixture, used in moderation, thins colors without slowing dry-times or significantly increasing gloss. Gamvar Picture Varnish may be applied to saturate colors and impart a uniform satin or gloss surface to your finished work. The 24-hour dry time, matte surface and compatibility make FastMatte colors ideal for underpainting. The balanced color palette of earth, mineral, and modern pigments was chosen for its mixing capabilities in all oil painting techniques and styles.

Content: 0.037 Piece (€475.68* / 1 Piece)

Variants from €10.50*
€17.60*
Daler and Rowney Georgian oil colours Studioset 10x38ml + Pinsel
Dieses Daler-Rowney Georgian Oil Colour Studio Set vereint die hohe Qualität von Daler - Rowney mit einem preiswerten Einsteigerpreis. Hergestellt zu den gleichen Standard wie Daler-Rowney’s Artist’s Colour, aber mit günstigeren Pigmenten. Diese Ölfarben sind brilliant, langlebig und gut mischbar. Das Daler-Rowney Georgian Ölfarben Studio Set besteht aus 10 Tuben mit jeweils 38ml und einem gratis Geogian Öl Rundpinsel No.1 Folgende Farben sind enthalten: Titanium White Lemon Yellow Cadmium Yellow Pale Crimson Alizarin French Ultramarine Permanent Green Light Viridian Yellow Ochre Burnt Sienna Ivory Black

€34.90*
Old Holland Classic Oilcolours 475 ml
Old Holland Colours: Titanium white #A1
Old Holland Classic Oil 475 ml Leuchtend. Intensiv. Kraftvoll. Hergestellt nach Rezepten der größten holländischen Meister Einzigartige Mischung aus den besten traditionellen Farben und den besten lichtechten Pigmenten Höchstmögliche Pigmentkonzentration in jeder Farbe Basierend auf kaltgeschlagenem Leinöl der ersten Pressung Handgemaltes Farbmuster auf jeder Tube

Content: 0.475 Piece (€153.26* / 1 Piece)

€72.80*