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Royal Talens Van Gogh oil paints 200ml
Royal Talens Van Gogh oil paints 200ml
Lance: “I have been painting since I was a child. My mother is an artist and encouraged me to paint, about which I am still very grateful. Due to my busy life my painting had to take a back seat, but when I was 40 and achieved everything that I had wanted to achieve, I decided to focus completely on painting. I wanted to share my art, my vision, with the world. Just enjoy myself painting When I started I deliberately did not give myself any objectives, apart from working hard, learning a lot and not worrying what others may think. I just want to enjoy myself painting! My uniqueness My uniqueness comes from simply being myself. I use those colours that arise within me and let the palette knife move, following my emotions at the time. I let my thoughts go where they want to. I always say the finished painting is already on that blank canvas, it just uses my hands and eyes to reveal itself to the world. It has its own life!”PDF colour chart

Content: 0.06 Piece (€99.83* / 1 Piece)

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Schmincke Norma Professional
Schmincke Norma Professional
Norma® Professional   Finest artists' oil colours, series 11 84 shades including unique special colours  Use of renewable raw materials, e.g. pure, high-quality plant oils  Only highest lightfastness (4 + 5 stars)  Even drying and balanced consistency within the colours  Maximum spreading rate by using the highest concentration of pigments   Available in following sizes: 84 colours in 35 ml tubes, 48 colours in 120 ml tubes and 12 colours in 200 ml tubes, 5 litre buckets on request   Norma® Professional is a modern, environmentally-friendly formulated oil colour of the finest quality for professional and demanding oil painting. The balanced range of colours consists of 84 brilliant, traditional and modern colours including 27 high-quality transparent colours and several unique special colours. These include not only highly lightfast and opaque chrome yellow shades, but also special shades such as poppy red, cobalt turquoise, agate brown, Schweinfurt green hue, neutral black, gold, silver, bronze and others. All 84 colours have maximum lightfastness (4-5 stars).   The ecologically sound formulation includes the use of many natural, sustainable raw materials. High-quality, pure plant oil combinations ensure good adhesion, optimum pigment uptake and decreased tendency for yellowing. The best classical and latest technical pigments used in the highest concentration guarantee a maximum spreading rate and an exceptional luminosity and brilliance of all colours. Careful preparation, traditionally ground on three rolling mills, aged for three months before bottling, ensures that the raw materials are developed optimally in the pure oil paint.   All colours have a balanced, creamy-buttery consistency and therefore have the best painting features and optimum working traces. In addition, optimisation of the formulation produces a shorter, even drying of all colours, which guarantees brilliant and highly durable surfaces.   Norma® Professional has unlimited ability to mix and combine with all Schmincke oil colours (MUSSINI®, AKADEMIE® Oil color and College® Oil) and all oil mediums. 

Content: 0.035 Piece (€211.14* / 1 Piece)

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M. Graham and Co. Artists Oil Paints
M. Graham and Co. Artists Oil Paints
Artists Oil Paint The walnut oil used in M. Graham Artists Oil Paint dries to a clear film that will not yellow and allows the true color of the pigments to shine through.In the tradition of the masters, M. Graham Artists Oil Paint is made from pure walnut oil for its brilliance, clarity, texture and resistance to fading and yellowing. Working in small batches, we produce oil paints that stay true to the roots of Renaissance painting: delicately free-flowing, solvent-free and without fillers or additives. Thanks to the exceptionally high concentration of pigment in M. Graham Artists Oil Paints, your work will naturally feel more vibrant and alive and be imbued with rich, glossy color for years to come.

Content: 0.037 Piece (€229.73* / 1 Piece)

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Daler and Rowney Georgian Oil
Daler and Rowney Georgian Oil
Product information "Daler and Rowney Georgian Oil" Georgian Oil Established in London in 1783 and named after George Rowney, the company's founder, Daler-Rowney's Georgian Oil Colors enrich contemporary artistic expression with modern and brilliant colors, optimal pigment loading and a very pleasant feel under brush and knife. Traditionally made in England and triple milled, Georgian Oil Colors offer color consistency from wet to dry and even performance and finish across all colors. Due to their careful formulation, Georgian Oil Colors generally require very limited amounts of medium and can therefore be used freely straight from the tube, allowing the artist to focus on spontaneous creativity. • Available in 54 colours • High pigment loads include the traditional pigments cadmium and cobalt • Exceptionally durable and brilliant colours • Colours are intermixable and consistent from wet to dry • Surface dry in 4 to 5 days • 24 single pigment colours • 31 opaque or semi-opaque colours • All colours are rated Permanent**** or Normal Permanent*** • Smooth and buttery consistency, ideal for experimenting with different brush and knife techniques • Easy mixing with mediums offers endless creative possibilities • Traditionally made and triple milled in England

Content: 0.225 Piece (€49.78* / 1 Piece)

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Lukas Studio Oil 200 ml
Lukas Studio Oil 200 ml
LUKAS STUDIO, the modern professional quality with an optimized price-performance ratio, contains without exception brilliant color and technically safe pigments with high lightfastness in high concentrations. A trace (0.5 - 1.5%) of the finest bleached beeswax as a component of the consistency agent gives the paint the buttery, short consistency desired by the painter and makes the paint film less brittle for the restorer. The binding agents are, as in all LUKAS oil paint ranges, exclusively pure, vegetable linseed and sunflower oils of a special quality.

Content: 0.2 Piece (€54.95* / 1 Piece)

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Old Holland Classic Oil colours
Old Holland Classic Oil colours
Oil paint has a special place at Old Holland. It is the first product we manufactured.Since the early days of oils, artists have made high demands regarding the durability of their work. In order to meet these demands for optimum durability, Old Holland still produces all its classic oil paints according to traditional formulas (the durability of which has been demonstrated over the course of time), supplemented by the latest contemporary insights. The choice of pigments is a unique mix of the best traditional colours and the best pigments derived from the latest technological developments.   In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.   Each tube of Old Holland oil paint has a colour strip above the label, painted with the colour from the tube in question. We are convinced that this is the only honest method to show the colour in the tube. Old Holland is one of the only company that still uses this method.

Content: 0.04 Piece (€243.75* / 1 Piece)

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Sennelier Oil Stick
Sennelier Oil Stick
This material allows oil painting to be approached differently. It extends the artist's freedom of expression, allowing a greater degree of spontaneity, of "expressionism". The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation. Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved. Solid artists' quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.

Content: 0.038 Piece (€191.84* / 1 Piece)

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Gamblin Artist Grade Oil Colors
Gamblin Artist Grade Oil Colors
https://gamblincolors.com/catalog/ Product information "Gamblin Artist Grade Oil Colors" The Gamblin Color PaletteRobert Gamblin organized our palette into Mineral and Modern color groupings to help artists easily choose a palette of colorsthat best matches their artistic intent. Our colors are also grouped by eras of pigment history: Classical, Impressionist, and 20thCentury. Throughout the history of art, paintings have always been a reflection of the materials that were available to artists.Mineral ColorsThe Mineral side of the color chart includes those colors made from inorganic pigments, that is, metal ores dug from the earth.For many of these pigments, their color is developed in ovens at very high heat. At the bottom of the Mineral side of the chartis the group of earth colors that made up the heart of painters’ palettes during the Classical Era. This group of pigments, whichhas its origins in cave painting and antiquity, was central to the oil painter’s palette from the Renaissance through the ClassicalEra. From this limited range of earth colors, painters depicted form by drawing large contrasts between the darkest darks and thelightest lights, creating the chiaroscuro (literally, “light/dark”) effect so characteristic of classical paintings.During the Industrial Revolution, a whole new array of inorganic pigments was developed from compounds of minerals, such ascobalt, cadmium and manganese. Their intense mass tones complemented earth colors on painters’ palettes and replaced paintsmade from expensive semi-precious stones, fugitive colors, or highly toxic compounds. This full spectrum of pigments, packagedfor the first time as oil colors in tubes, expressed the Impressionists’ interest in pure color.Mineral Colors grey down when mixed with white, which is perfect for capturing the colors of the natural world. Mineral-basedpigments have larger pigment sizes and lower tinting strengths than modern colors. They are leaner and naturally more matte.Mineral colors are mostly opaque. Ultramarine Blue and Viridian, which are transparent, are exceptions. Mineral colors have aLightfastness rating of Excellent (I).Modern ColorsModern organic pigments are carbon-based. Most modern colors, including Quinacridone, Phthalo, and Perylene, aretransparent. Hansa and Napthol are semi-transparent. Because of their small particle sizes and higher oil absorption (fatter),modern pigments make colors of very high tinting strengths that are naturally more glossy.When mixed with white, modern colors make incredibly intense tints. They stay high key in mixtures unless a complement isadded. Rather than shifting from light to dark, a family of modern colors shifts from warm (Phthalo Emerald) to cool (PhthaloGreen). Modern colors have a Lightfastness rating of Excellent (I), with the exception of Hansa Yellow Light and Naptholpigments, which are rated as Very Good (II). Each tube of artist’s grade oil color is marked with a Lightfastness rating.Mineral and Modern colors are completely compatible with each other. Painters can use the characteristics of each color groupdescribed above to create their own personalized color palette.RadiantsGamblin Radiant Colors offer painters eight intense tints – mixtures of pure color and white – at Value 7 on the Munsell®System. Using these Radiant tints, painters can build high key underpaintings and then glaze to achieve optical effects of lightand shade.White, Grey & BlackThe most important color choice we make is the white we bring to our work. There are nine different Gamblin Whites to giveartists a range of working properties, temperatures, drying rates and opacity. Please refer to our Studio Notes Newsletter, Gettingthe White Right, on our website for more information on selecting the right white for your work.Gamblin Portland Greys (Light, Medium, and Deep) can mute the high key tints of the modern colors to make more naturallookingmixtures. Named for the city where they are made and its characteristic grey skies, the Portland Greys are formulatedfor painters who work with value. Our range of the neutral Portland Greys is expanded with Portland Warm Grey and PortlandCool Grey. A triad of muted primary colors is created when Titanium Buff is added to these. This gives painters the ability tocomplete a range of “colored greys.”Gamblin Chromatic Black gives painters a neutral, tinting black with energy that doesn’t muddy and flatten the colors the waytraditional blacks do. Because Chromatic Black is made from two colors that are perfect complements, Quinacridone Red andPhthalo Emerald, it gives painters a dead-center black with life to it and a clean transparency.

Content: 0.037 Piece (€318.92* / 1 Piece)

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Kama Pigments Oil Sticks
Kama Pigments Oil Sticks
  Oil Sticks are an alternative form of oil paint. They are made by hand, with the finest pigments and natural waxes, in Montréal by KAMA PIGMENTS   The Kama Pigments Oil Sticks basically are an artist’s oil paint in stick form.   They can be applied to a canvas (or any other support that is appropriate for oil paint) quickly, easily and dynamically to create exciting, expressive marks that are not possible with ordinary oil paint.   The colors are amazingly bold, and Oil Sticks can be used without solvents or a palette. They can be mixed and blended directly on the support with a brush or neutral Oil Stick, and can be used to create transparent glazes, thick impastos and anything in between.         Kama Pigments Oil Sticks offer the artist a medium that combines the vividness, depth and consistency of oil paints with the natural ease of application that is typical of pastels and charcoal.   Handmade with natural waxes, walnut oil and no solvent. Compatible with oil paints and painting mediums, encaustics and for final coat on acrylics.     Handmade oil sticks from Canada Contains pure pigments, walnut oil and natural waxes. Easy to use just like pastels or charcoal All kinds of rigid supports, ideally coated with gesso or properly sized (MDF, plywood, masonite, etc.) On sized paper (treated with a coat of liquid glue, medium or varnish to prevent the oil from penetrating)   Kama uses authentic pigments known for their exceptional characteristics. The pigment contents and batch number of the paints are clearly written on every stick.     We at Peter’s Art are the first to offer Kama Pigments in Germany and are selling the sticks in 60ml and 15ml.    

Content: 0.015 Piece (€319.33* / 1 Piece)

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R&F Pigment Sticks
R&F Pigment Sticks
Product information "R&F Pigment Sticks" Pigment Sticks® R&F Pigment Sticks are our unique version of an oil stick that will transform the way you paint. Richly pigmented, they have a lipstick-soft consistency that gives them the same fluidity, subtlety and durability as traditional oil paints. They have just enough natural wax added to maintain a solid stick shape. Pigment Sticks allow you to forego the brush and work more directly on your surface. Their immediacy and ability to make marks offers an endless range of options.

Content: 0.038 Piece (€499.74* / 1 Piece)

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Schmincke Mussini Oil
Schmincke Mussini Oil
MUSSINI®   Finest artists’ resin-oil colours (Series 10)  Globally unique artists’ natural resin-oil colours  Based on old masters’ formulations  101 colours + 7 gold shades with maximum brilliance and purity of which 64 single-pigment colours  A wide variety of single-pigment colours  42 exquisite translucent colours  Premium artists’ pigments in highest concentrations  Maximum possible lightfastness  Balanced drying process  Tension-free and durable colour-layers  Available in following sizes: 108 colours in 35 ml tubes, 32 colours in 150 ml tubes    MUSSINI® - unique in the world!  The globally unique artists’ natural resin-oil colours MUSSINI® arise from the tradition of Italian painting schools and were named after Professor Cesare Mussini, who worked at the Academy of Fine Arts in Florence. The special feature of these finest professional artists’ colours is primarily due to the basic knowledge of the old masters, which has been retained until today, of combining selected artists' oil with natural resin.   The range  The MUSSINI® range comprises a total of 101 colours + 7 gold shades; 64 of these are single-pigment colours that guarantee brilliant mixing results. In addition, the range has 42 exquisite, transparent and semi-transparent colours. Exceptional dark values, such as atrament, dove grey, sfumato, but also delicacies such as cobalt turquoise, Byzantine blue, Caesar purple, Florentine red, yellowish-green Ural or Mediaeval yellow represent the unique fascination of MUSSINI®.   Finest pigments, oils and resins  The high luminosity and the best lightfastness of all colours and the pleasantly pasty consistency are highly valued by oil painters all over the world. For MUSSINI®, only the best traditional and some newly developed artists' pigments are used in maximum concentration. The individual compositions of the pigments with traditional binders such as linseed oil, safflower oil and sunflower oil and parts of the best natural resin solutions (damar) provide excellent light refraction properties, increased luminosity and particularly durable colour layers.  The unique drying properties  The excellent drying properties of MUSSINI® resin-oil colours come from the fact that the oil parts of the colours increase in volume by absorbing oxygen, while the solvents of the natural resin solution evaporate, thus ensuring a shrinkage in volume. These balancing processes create tension-free and even drying of the colour layers and thus guarantee the longevity of the painting.      MUSSINI® has unlimited ability to mix and combine with all Schmincke oil colours (Norma® Professional, AKADEMIE ® Öl color and College® Oil) and all oil mediums.

Content: 0.035 Piece (€380.00* / 1 Piece)

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Gamblin 1980 Oil Colors
Gamblin 1980 Oil Colors
True color. Real value. Gamblin 1980 oil colors are made with the same dedication and pure pigments as our artist oils. In addition, we use the same process of mixing, milling, bottling and hand labeling. To reduce the cost of oil paints, some manufacturers use gels and waxes to solidify the colors and replace traditional pigments with less expensive ones. Our approach is different. 1980 colors are made with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). These three ingredients have been used to make more affordable paints since the beginning of oil painting. With 1980 colors, artists experience true color, without homogenous texture or cloudy color mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the lush working properties they expect from their oil paints. Click here to download our 1980 Color Chart. https://gamblincolors.com/catalog/

Content: 0.037 Piece (€294.32* / 1 Piece)

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Williamsburg Handmade Oil Paints
Williamsburg Handmade Oil Paints
With Williamsburg Handmade Oil Colors, the handmade quality of the paint respects the Centuries of Tradition upon which all quality professional paints are made. But at the same time, we are a modern company, born from the melting pot of today’s creative world-class. Our reputation was not inherited; it was built by working face to face with artists. We keep our promises, never hide behind tradition and hold fast to whatever makes beautiful color. Williamsburg is a US brand, manufactured in New Berlin, New York. As a professional oil paint, it stands competitively alongside established European brands. The Williamsburg colors are incredibly pigment rich, with a dense yet buttery texture; each color has its own finish and feel creating not only a palette of color, but also texture. Williamsburg has an extensive range of Cobalt and Cadmium colors, as well as has a number of unique colors, particularly within the wide range of earth colors. Examples include: The Native Italian Earth Colors, Courbet Green, Persian Rose, Cyprus Orange, Montserrat Orange, Stil de Grain and Turkey Umber.

Content: 0.037 Piece (€253.78* / 1 Piece)

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Kama Pigments Artist's Oil Paint
Kama Pigments Artist's Oil Paint
  Handmade pigments from Canada. From artist to artist. At Kama Pigments they understand what you, the artist, needs for your paintings.   Kama Pigments only uses the purest light-fast pigments. They are ground in small batches to ensure quality, and meticulously blended with walnut oil a semi siccative oil to prevent yellowing.   Additionally, they continue to make their paints without any inert pigments or fillers in order to produce the purest colors possible. You’ll recognize the vividness of the paints and their flawless consistency.   Trying the paints for yourself will convince you that, when it comes to the quality of a painter’s materials, there are no worthwhile compromises.   The line of oil paint already consists of 120 colors, which includes 71 mono-pigmented colours and 49 chromatic arrangements.   The majority of the chromatic arrangements (mixed pigments) are unique to Kama, and certain of these have been specially conceived in collaboration with a particular artist. The 71 pure colours offer an endless possibility of shades.   Kama uses authentic pigments known for their exceptional characteristics. The pigment contents and batch number of the paints are clearly written on every tube.   We at Peter’s Art are the first to offer Kama Pigments in Germany. We are selling the oil paints in the tube size 37ml.    

Content: 0.037 Piece (€240.54* / 1 Piece)

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Royal Talens Cobra Artist Water Mixable Oil Colour 40ml
Royal Talens Cobra Artist Water Mixable Oil Colour 40ml
Artist water mixable oil colour Cobra Artist is an Artists' quality water mixable oil paint with an exceptionally high degree of pigmentation. Only the very best pigments and oils are used. During the grinding process the paint is ground on the triple roller mill until it reaches the fineness of an Artists' quality. The range consists of 70 transparent, semi-transparent, semi-opaque and opaque colours. They all have the highest degree of lightfastness (+++) and under museum conditions remain unchanged for at least 100 years. The range includes 32 mono-pigmented colours. There are also ten colours based on highly exclusive pigments - such as the cadmiums, cobalts and chromium oxides - as well as an exceptionally transparent oxide red or yellow. "I use Cobra, because white spirit is very bad for you and with Cobra you only need water. You don’t have to worry about anything else. And it works just like oil paint. Merel Jansen, artist."PDF colour chart

Content: 0.04 Piece (€169.75* / 1 Piece)

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Gamblin Torrit Grey Sample
Gamblin Torrit Grey Sample
If you took all the pigments in the color spectrum and mixed them together, what color would you make? Every spring, Gamblin Artists Colors collects a wealth of pigments from our Torit® Air Filtration system. We filter the air around the areas where we handle dry pigments so that our workers are not exposed to pigment dust. Rather than sending any of our high quality, expensive pigments into the landfill, Gamblin paint makers recycle them into Gamblin Torrit Grey.   The mix of pigments is different every year, so Torrit Grey is always unique and will never be repeated. Torrit Grey tends to have a greenish tinge because of the great strength of the Phthalo Green pigment, which is a dark bluish green. Torrit Grey varies from a medium dove grey to a dark earthy grey. Our Torrit Grey store promotion, which runs each spring in celebration of Earth Day, not only recycles pigment dust into paint but focuses artists on the importance of recycling and studio and environmental safety. “Pigment dust should not go into the earth, water or landfill, but into paint,” says Robert Gamblin.

€2.99*
Holbein Aqua DUO Water Soluble Oil Colors 40ml
Holbein Aqua DUO Water Soluble Oil Colors 40ml
Holbein DUO Aqua Oil Colours Duo Aqua Oils were developed by Holbein in 1999 to offer the same high pigment quality and archival properties as Holbein's artist oil line while allowing for cleaning with soap and water. They are characterised by rich hues, high colour saturation and excellent lightfastness equivalent to conventional oils and outstanding working properties. Holbein explicitly names 17 colours as "elite" colours that contain heavy metal pigments such as quinacridone, cadmium and cobalt. DUO offers 100 highly pigmented artists' colours, suspended in a water-soluble, cold-pressed linseed oil. DUO is compatible with all media, including traditional oil paints and mediums, watercolour, gouache, acrylic gouache and acrylic.

Content: 0.04 Piece (€317.50* / 1 Piece)

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Holbein Oil Colours 40ml
Holbein Oil Colours 40ml
Product information "Holbein Oil Colours 40ml" Holbein Artist Oil is smooth, highly pigmented and the colour range includes both traditional colours and modern pigments. All colours are milled up to 10 times to achieve a uniform viscosity across the entire range of 167 colours. For the artist, this uniform viscosity ensures that each colour works in the same vibrant and smooth way.

Content: 0.04 Piece (€550.00* / 1 Piece)

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Holbein Oil Colours 20ml
Holbein Oil Colours 20ml
Product information "Holbein Oil Colours 20ml" Holbein Artist Oil Colours Holbein Oil Colour is a world-class artist oil colour range, using the highest quality pigments and manufactured to the highest standards of quality control in the industry. Available in 145 open stock colours in 20ml tubes and 11 transparent glaze colours in 20ml tubes. Holbein Artist Oil Colour is matched to the Munsell colour standard for hue, value and chroma. Holbein Artist Oil is smooth, highly pigmented and the colour range includes both traditional colours and modern pigments. All colours are milled up to 10 times to achieve a uniform viscosity across the entire range of 167 colours. For the artist, this uniform viscosity ensures that each colour works in the same vibrant and smooth way.

Content: 0.02 Piece (€510.00* / 1 Piece)

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Royal Talens Cobra Artist Water Mixable Oil Colour 150ml
Malen mit Cobra ist genauso wie das Malen mit traditioneller Ölfarbe und ergibt perfekte Ölresultate mit einer einheitlich Trocknungszeit und einem einheitlichen Glanzgrad. Die Farbe kann in allen gängigen Öltechniken angewendet werden. Der Farbe, aber auch der Pinselstrich oder eine aufgetragene Struktur behalten nach der Trocknung ihren uneingeschränkten Ausdruck: Die Farbe bleibt exakt so, wie sie aufgetragen wurde Ich arbeite mit Cobra, denn Terpentinersatz ist sehr gesundheitsschädlich und mit Cobra brauche ich nur Wasser. Man kann ganz einfach sorglos arbeiten. Und es funktioniert wirklich wie Ölfarbe. Merel Jansen, Künstlerin.PDF Farbkarte

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Old Holland Cremnitz White 120 ml DOSE
Old Holland Cremnitz White 120 ml DOSE
Old Holland Cremnitz White 120 mlCremnitz WhiteColor Name: Cremnitz WhiteColor Number: 3 and 4Pigment Classification: Basic Lead CarbonateAvailable: 120 mlColor Index: PW1Color Index Number: 77597Lightfastness: Lightfast pigment according to ASTM Category 1 and 2Opacity/Transparency: Opaque

Content: 0.12 Piece (€754.17* / 1 Piece)

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CLP-/REACH-Notice
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Exclamation Mark: Health hazard/Hazardous to the ozone layer Health hazard: Serious health hazard Environment: Hazardous to the environment
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Danger!
Hazard Statements
H302: Harmful if swallowed.
H302 + H332: Harmful if swallowed or if inhaled.
H360: May damage fertility or the unborn child .
H373: May cause damage to organs through prolonged or repeated exposure .
H410: Very toxic to aquatic life with long lasting effects.
Precautionary statements
P201: Obtain special instructions before use.
P273: Avoid release to the environment.
P280: Wear protective gloves/protective clothing/eye protection/face protection/hearing protection/.
P308 + P313: IF exposed or concerned: Get medical advice/attention.
P312: Call a POISON CENTRE/doctor/ if you feel unwell.
P391: Collect spillage.
Holbein Artist Oil Color WHITES
Holbein Artist Oil Color WHITES
Product information "Holbein Artist Oil Color WHITES" The successful artist knows that of all the colors used, the quality of white is critical. Primed 4 to 5 times, the Holbein superiority becomes obvious to the user. There are six painting whites and one under painting/base white, all of which are high percentage pigment colors, namely: Titanium White. Permanent White SF (Super Fine), Zinc White, Silver (Flake/Lead) white, Ceramic White and Quick Drying White (a base coat white), all in poppyseed oil. Inexpensive Permanent White EX (Extra Fine) in safflower oil. Titanium White The most popular white, Titanium White is non-reactive under most normal conditions. It has greater opacity than lead or zinc, but is prone to short-term yellowing. It dries more slowly than lead but is faster than zinc. It is easy to work and mix, and its surface properties can be enhanced by mixing it with zinc oxide, which also helps to reduce the sometimes too intense tinting power of the titanium pigment. Zinc oxide is more transparent than lead and its surface properties are more brittle. It does not have the same painting properties, is slower drying and does not react to sulfur. It is whiter than lead. Ceramic White A white developed in a joint research project between Holbein Werke GmbH and Japanese Government Industrial Laboratory. Ceramic White was developed to combine the most positive properties of other types of painting white. It contains titanium and strontium pigments that do not react with sulfur. Ceramic White offers superior surface strength without brittleness, increases tinting and covering power over lead and zinc, but offers increased transparency, drying time and optical whiteness compared to titanium white. Excellent handling properties. Silver White S (Flake/Lead White) One of the first man-made pigments, white lead mixes well with oil to a smooth, uniform viscosity and has excellent hiding power and brush handling. It possesses high surface strength but is still toxic and reacts by darkening when exposed to sulphur compounds or fumes. The latter reactivity is not too important as the lead pigment used is usually well protected by the oils and varnishes it is mixed with. Permanent White Titanium White with the same general handling properties but with a barium sulphate additive that prevents yellowing on early drying while reducing tinting power and increasing transparency. Available in two variants: Permanent White SF is made with poppyseed oil and Permanent White EX with safflower oil.Quick Drying White Made from titanium white, calcium carbonate, poppyseed oil, alkyd resin and petroleum solvent. This fast-drying white is best suited as a primer with exceptional properties in terms of surface adhesion and durability. Non-yellowing and crack-free, this white dries in 4 to 5 hours for a thin coating (0.15 mm), while application with a brush, knife, squeegee or spatula in 2 mm to 3 mm structure thickness takes about 24 hours. The paint can be thinned and tools cleaned with white spirit.

Content: 0.01 Piece (€295.00* / 1 Piece)

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Daler and Rowney Georgian oil colours Studioset 10x38ml + Pinsel
Daler and Rowney Georgian oil colours Studioset 10x38ml + Pinsel
Dieses Daler-Rowney Georgian Oil Colour Studio Set vereint die hohe Qualität von Daler - Rowney mit einem preiswerten Einsteigerpreis. Hergestellt zu den gleichen Standard wie Daler-Rowney’s Artist’s Colour, aber mit günstigeren Pigmenten. Diese Ölfarben sind brilliant, langlebig und gut mischbar. Das Daler-Rowney Georgian Ölfarben Studio Set besteht aus 10 Tuben mit jeweils 38ml und einem gratis Geogian Öl Rundpinsel No.1 Folgende Farben sind enthalten: Titanium White Lemon Yellow Cadmium Yellow Pale Crimson Alizarin French Ultramarine Permanent Green Light Viridian Yellow Ochre Burnt Sienna Ivory Black

€35.20*
Gamblin FastMatte Alkyd Oil Colors
Gamblin FastMatte Alkyd Oil Colors
With Gamblin FastMatte Alkyd Oil Colors, oil painters can take their paintings further, faster than ever before.37 ml Tube Thin layers will be touch-dry and ready to be painted over in 24-hours Colors dry to a matte surface with a beautiful tooth and deep, soft luster FastMatte colors are compatible with our painting mediums and traditional oil colors 24-Hour Dry Time The fast drying rate means painters can stay in the flow of their painting session longer with layering and mark-making possibilities beyond traditional oils. The consistent drying rate of FastMatte colors means painters can return to a dry surface the following day. Matte Surface The matte surface gives colors a deep, soft luster that speaks directly to the viewer. Never before have oil painters been able to create a consistent, matte surface with such ease. The matte surface gives dry paint layers a subtle tooth which beautifully grabs paint from the brush or knife. Compatibility FastMatte colors are compatible with Gamblin painting mediums and our traditional oil colors. For thinning FastMatte colors, we recommend a 50/50 mixture of Galkyd and Gamsol. This mixture, used in moderation, thins colors without slowing dry-times or significantly increasing gloss. Gamvar Picture Varnish may be applied to saturate colors and impart a uniform satin or gloss surface to your finished work. The 24-hour dry time, matte surface and compatibility make FastMatte colors ideal for underpainting. The balanced color palette of earth, mineral, and modern pigments was chosen for its mixing capabilities in all oil painting techniques and styles.

Content: 0.037 Piece (€475.68* / 1 Piece)

From €10.80*
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